Fatal Attractions

The gang made it... reached 100 episodes... and to celebrate they remember their favourite episodes, consider the state of the erotic thriller in the current world, and finally get into their long-awaited discussion of the Fifty Shades of Grey trilogy. And there's even a special announcement, too.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang are joined by special guest, casting director and podcaster Timothy Evans (@timothyeraw), to veer away from the thrillers but stay firmly in the erotic camp to discuss fringe sexuality and human need in Steven Shainberg's darkly comic and sexy as hell 2002 film Secretary.   To watch the trailer for the short film mentioned in the show, Truth Serum, click here. And to watch the film itself, click here. Follow AnfanTerrible Films for info on current and future projects.   Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang are joined by special guest, author Linda Belhadj, for an unsettling journey into jealousy and psychosis in Claude Chabrol's L'Enfer.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang consider the damage intended and the damage inflicted in the rarely discussed tale of a cop going undercover in the 70s New York leather bar scene in William Friedkin's Cruising.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang return for a look at the seductive vampiric charms of Catherine Deneuve and David Bowie in Tony Scott's The Hunger.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang return to a previously considered filmmaker in his first English language film, considering the sensual qualities and compelling unease within a very dysfunctional family in Park Chan-wook's Stoker.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang bring along new special guest, podcaster Daryl Bär of SuddenDoubleDeep and Is Paul Dano Okay?, to discuss religious fetishism, metaphorical castration and subtlety in Paul Verhoeven's The Fourth Man.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang turn to wartime China for a tale of deception, infidelity and the most costly betrayal in Ang Lee's Lust, Caution.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang bring along a special guest, writer/editor/podcaster Kristen Lopez (@Journeys_Film), as they consider the emotional fallout of infidelity, betrayal and running while naked in Louis Malle's Damage.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang ditch their schedule in favour of looking over a story of lust, love and, above all else, luck in Woody Allen's Match Point.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang finally round out the trilogy, discussing the ambiguity of star ratings, intention in storytelling, and the very nature of suffering through someone else's art in Barbara Bialowas and Tomasz Mandes's The Next 365 Days.     Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang discuss the use of language in erotic thrillers, different perspectives on when a character looks at the audience, and the finer points of using a bicycle in cold weather in Atom Egoyan's Chloe.     Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang welcome back special guest and friend of the show, Michael Mohan (writer/director of The Voyeurs), to discuss the immaculately filmed tale of murder, betrayal, and why you should never piss off the cool girl in David Fincher's Gone Girl.     Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang finally get to their long-postponed look at the film that doubles as both a Hitchcockian tale of duplicity and murder and as a takedown of the pharmaceutical industry, all while being touted as the director's last film (it wasn't) in Steven Soderbergh's Side Effects.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang make the ill-advised choice to return to the world of Laura and Massimo, where their time is filled with sex, mistrust and the complete inability to behave like normal people in Barbara Bialowas and Tomasz Mandes's 365 Days: This Day.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang finally come to look at a new mainstream erotic thriller and the first film from Adrian Lyne in 20 years, where jealousy, infidelity, and murder once again rear their heads in 2022's Deep Water.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang continue their look into the contemporary state of the erotic thriller and genuinely struggle to stay on topic when appraising Rob Cohen's 2015 film The Boy Next Door.   We do wish to note that, at the time of recording, we were not aware of the allegations of assault and misconduct made against Rob Cohen prior to his making this film. As such, this isn't something we discuss in the episode. We do just want to say that us not mentioning it isn't us intentionally ignoring it to avoid awkward topics. We're apparently just bad at research.     Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang head to Netflix and consider the current state of the erotic thriller genre, and talk about movies about writers, dubious depictions of mental illness, and poor decisions in Anna Elizabeth James' Deadly Illusions.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang return with a look at one journalist's attempt to uncover the truth behind a dead woman that haunts the past of a famous comedy double act, and the uncomfortable truths she finds for herself along the way, in Atom Egoyan's Where the Truth Lies.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

The gang sit down with special guest Michael Mohan to discuss his new film The Voyeurs, now currently streaming on Amazon Prime, and talk about his thoughts on erotic thrillers, how it influenced his new film, and his hopes for the future of the genre. You can follow Michael Mohan on Twitter here: @michaelmohan And you can visit his website here     Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/