La Review Of Books

Rachel Khong joins Eric Newman to discuss her latest novel, Real Americans. Divided into three parts that each trace the experiences of different generations of a Chinese American family, the book delves into the thickets of identity, exploring how cultural strictures and the chaos of love shape our reality. The first section, set in 1999, recounts the romance between Lily, a second generation Chinese American media intern in New York, and Matthew, the WASPy private equity investor of the company where she struggles to eke out a living. The second section transports us to Seattle in 2021, where Lily's son, Nick, is navigating the end of high school and early college years with his father, Matthew, conspicuously absent. When Nick reconnects with Matthew through a DNA ancestry test, old wounds heal even as new ones are opened up in the wake of long-buried family secrets. In the final section, Nick's grandmother reflects on her experience fleeing Mao Zedong's China to make a new life in the United States, while

Erik Davis joins Kate Wolf to speak about his latest book, Blotter: The Untold Story of an Acid Medium. The book is a study and history of the emergence of acid blotter paper from the late 1970s to the present day. It charts not only how the distribution and legal definition of LSD has changed over the decades—along with shifting cultural attitudes towards the drug—but also how blotter makers reflected these changes in their designs. The book examines the many recurring themes and aesthetics of blotter from cartoon characters, underground comics and advertising, to religious and political imagery, as well as associations with modern art movements like pop and minimalism. As psychedelics move closer to legalization for therapeutic purposes, Blotter is a reminder of the freak culture, anti-establishment origins of LSD and the inventive and playful path one of its main mediums has cut across countless minds over the last half century.

Writer and curator Legacy Russell joins Kate Wolf to discuss her new book, Black Meme, which theorizes the history of viral images of Blackness in America from the dawn of the 20th century to the present. The book argues for the centrality of Black culture in the formation of the digital sphere; it also points to the many ways images of Black people have been exploited, decontextualized, and abused both before and after the internet. Russell draws on a variety of examples, from the open-casket photos of Emmet Till that appeared in Jet Magazine, to the phenomena of Michael Jackson’s Thriller video, which helped popularize the VCR, to more recent viral videos of police violence and Black social death. Calling for a reexamination of notions of private and public property, Black Meme urges a reconsideration of what an equitable exchange might look like for Black creators online, as well as engagement on the internet that goes beyond a reshare. Also, Miranda July, author of All Fours, returns to recommend Small Ra

Miranda July speaks to Kate Wolf about her latest novel, All Fours. Its narrator is a woman in the middle of her life, a recognized artist who’s worked steadily for years with “the confidence that comes from knowing there is no other path.” Shortly after her 45th birthday, she decides to take a road trip to New York to celebrate with money she’s recently made from a whiskey commercial. She leaves her husband and child one morning and ends up stopping in a small suburb outside of Los Angeles for breakfast. But instead of continuing on, she rents a motel room there and proceeds to stay for the next three weeks. Part of her decision is based on her intense desire for a Hertz rental car employee she meets named Davey, a younger man, who yearns to be a hip hop dancer. But other aspects of her reasoning are more ineffable, fueled perhaps by the uncertainty of the future, aging, mortality, and struggles with the confines of domestic life. Her sojourn in the motel room becomes the catalyst for a reckoning with that l

Kate Wolf and Medaya Ocher are joined by writer and publisher Danielle Dutton, author of Prairie, Dresses, Art, Other as well as Margaret the First and Sprawl. Dutton is also co-founder of the outstanding press Dorothy Project. Prairie, Dresses, Art, Other is a collection of stories and essays that exemplify Dutton’s approach to writing: ekphrastic, collaborative, laced with dread, wonder, and silence, as well as the power of landscapes (outer and inner) to transport both characters and readers beyond the normal bounds of being. Many of the stories in the book are set in the open plains of the Midwest—a space that becomes rife for projections of bodily harm and climate collapse, where the real world and the digital sphere frequently overlap. Also, Jennifer Croft, author of The Extinction of Irena Rey, returns to recommend Entangled Life by Merlin Sheldrake.

In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the case for and against giving up—on life, vices, dreams, creative pursuits, jobs, relationships, exercise, and work. Their conversation is inspired by Adam Phillips’s recent book On Giving Up, in which the psychoanalyst observes that “we give things up when we believe we can change; we give up when we believe we can’t.” The hosts discuss what is acceptable to give up, their own fears of failure, both fictional and real-life inspirational quitters, and whether Bartleby was onto something when he said he’d prefer not to.

Scholar and writer Anna Shechtman joins Medaya Ocher to discuss her book The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle. Shechtman is an accomplished cruciverbalist, constructing a bimonthly crossword at The New Yorker; she is the former Humanities and Film Editor at the Los Angeles Review of Books, where she is now an editor-at-large. Her book is a history of how women shaped the crossword puzzle, only to be pushed out of the puzzling industry. It’s also a memoir of Shechtman's own start with crossword constructing and the simultaneous development of her eating disorder. Riddles explores language, meaning-making, the body, as well as who is allowed to set the rules and write the clues. Also, Katya Apekina, author of Mother Doll, returns to recommend four diaries written during the Russian Revolution: Earthly Signs by Marina Tsvetaeva; and three volumes by Teffi, Other Worlds; Memories; and Tolstoy, Rasputin, Others, and Me.

Scholar Randol Contreras joins Kate Wolf and Eric Newman to discuss his new book The Marvelous Ones: Drugs, Gang Violence, and Resistance in East Los Angeles. The book is a study of the history and present lives of veterans of the legendary Maravilla gang that long dominated the scene in East Los Angeles before a bitter rivalry with the La Eme during the 1990s and early 2000s that had Maravillas scrambling for their lives in the streets and in prison. Though centered around the experience of that epic gang rivalry, The Marvelous Ones is also an examination of how masculinity, race, and cultural identity are shaped and reshaped within the context of organized crime inside state institutions and in the everyday lives of those living in Los Angeles. It is also a story about what it means to matter and to be remembered as a man, as a husband, as a father, and as a Maravilla amid the roiling waters of political, social, and historical change. Also, poet Victoria Chang, whose latest collection is With My Back to t

A double-header episode about two new novels that each feature high stakes feats of translation. First, the translator and writer Jenny Croft speaks with Medaya Ocher about her debut novel, The Extinction of Irena Rey. It follows eight translators who have just arrived at the house of a famous, beloved writer, the titular Irena Rey. Suddenly, Irena disappears, and the translators are left to figure out what has happened to her. Stuck and isolated in a primeval Polish forest and driven by ambition, paranoia, and obsession, the group uncovers secrets about Irena and the stakes of their endeavor become higher and higher. Then, writer and translator Katya Apekina joins Kate Wolf to discuss her latest novel, Mother Doll. The book examines how we can be haunted, sometimes literally, by the choices and experiences of our ancestors. Its main character is an adrift young woman named Zhenia. In the midst of finding out she’s pregnant and splitting up with her husband, Zhenia receives a mysterious call from Paul, a pet

Kate Wolf speaks with the poet Victoria Chang about her latest collection of poems, With My Back to the World. The book is in deep conversation with the work of the painter Agnes Martin: each poem takes the title of one of Martin’s paintings and is also often accompanied by Chang’s own visual interpretations of Martin’s work. Regarding Martin’s intricate grids and spare compositions inevitably allows Chang to reflect on form, emptiness, nature and light; along with more personal reflections on depression, identity, solitude, violence, and destruction. Chang writes about the act of looking along with the feeling of being seen—and the border between the two, especially within everyday encounters on the internet, where, as she writes, “solitude grabs my phone and takes a selfie.”

Eric Newman speaks with director Morgan Neville about his new film "STEVE! (martin) a documentary in 2 pieces," which explores the legendary comedian's meteoric rise to standup stardom, his abrupt pivot to TV and film, and his return to stage in the present as he and close friend Martin Short prep a new comedy tour. Eric and Morgan discuss the treasure trove of never-before-seen archival that brings Martin's early career to life, what Morgan has learned about fame and the psychology of entertainers from his storied work documenting the lives of cultural luminaries, and much more.

On this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman talk about the ethics and politics of memoir in the wake of several recent controversies. Touching on Blake Butler’s Molly, Emily Gould’s essay in The Cut on her flirtation with divorce, and much more, the gang considers who gets to tell whose stories, how, and why.

Eric Newman speaks with writer Tommy Orange about his novel Wandering Stars, a multigenerational epic that is both prequel and sequel to his award-winning 2018 debut There There. Beginning in the immediate aftermath of the Sand Creek Massacre of 1864, the novel follows a Native family's journey across more than 150 years as they struggle to maintain their connection to one another and to their Cheyenne history and identity in the face of addiction and the brutal legacy of forced assimilation. Also, Gretchen Sisson, author of Relinquished: The Politics of Adoption and the Privilege of American Motherhood, returns to recommend The Turnaway Study bhy Diana Greene Foster.

Kate Wolf speaks with sociologist Gretchen Sisson about her first book, Relinquished: The Politics of Adoption and the Privilege of American Motherhood. The book is based on interviews Sisson conducted over the last decade with birth mothers who relinquished their children for private adoption in the US. Most often Sisson found that these women deeply regretted their decision, and that poverty was the driving force behind it. Alongside the harrowing stories of the women who Sisson spoke with, her book also looks at the history of adoption in the United States and its ties to conservative Christianity, as well as family policing systems of the state. In an age of narrowing reproductive freedom, when adoption is touted by the Supreme Court as an answer to the need for abortion, Relinquished asks hard questions about the compatibility of the practice with the possibility for true reproductive justice. Also, Brad Gooch, author of Radiant: The Life and Line of Keith Haring, returns to recommend Candy Darling by Cy

Eric Newman and Kate Wolf speak with Brad Gooch about his new biography, Radiant: The Life and Line of Keith Haring. A deep-dive into the life of an artist whose work can be seen today on everything from museum walls to t-shirts and tote bags, Gooch's book unearths the cultural moment that gave rise to Haring's meteoric career before his untimely death in 1990. Moving across topics including the commercialization of art, cultural appropriation, the AIDS crisis, and more, Radiant brings the highly-recognizable artist into nuanced focus. Also, Tana French, author of The Hunter, returns to recommend Watership Down by Richard Adams.

Medaya Ocher and Eric Newman speak with megawatt mystery maven Tana French about her latest novel, The Hunter. Set in the fictional rural Irish town of Ardnakelty, The Hunter is a dark, slow-burning story of the ties that knit together small communities–and the animosities that tear them apart. French talks about how American Westerns influenced the tone and texture of her latest novels, where she gets the ideas for her dark stories, and how her globe-hopping childhood made her the mystery writer she is today. Also, Leslie Jamison, author of Splinters: Another Kind of Love Story, returns to recommend Eliza Barry Callahan's The Hearing Test: A Novel, as well as Emmeline Clein's Dead Weight: Essays on Hunger and Harm.

In this special episode, Eric Newman chats with LARB Film & TV editor Annie Berke and Film Comment co-editors Devika Girish and Clinton Krute for a preview of this year's Academy Awards. Breaking down the top Oscar contenders, the group talks the best and worst of the year in movies, from Barbie to Oppenheimer, Killers of the Flower Moon, Poor Things, Maestro, and more. If you loved–or hated!–the year in film, this episode is for you.

Leslie Jamison joins Medaya and Kate to discuss her latest book Splinters: Another Kind of Love Story, a memoir that chronicles the birth of her daughter and the collapse of her marriage soon after. Jamison writes about the bond with her own mother, as well as the intense, consuming love for her child. The book is not only a story about her most intimate relationships, but an examination of doubt, betrayal, forgiveness and, as the subtitle says, love. Also, Phillip B. Williams, author of Ours, returns to recommend The Black Book, edited by Toni Morrison.

Eric Newman speaks with Phillip B. Williams about his debut novel, Ours. A surrealist epic largely set in the American midwest both pre- and post-emancipation, the book tells the story of Saint, a conjure woman who uses her supernatural powers to liberate slaves and keep them safe in a magically secluded town near St. Louis. But as Saint's magic begins to falter and newcomers appear in the town, the residents chafe at her power over them, eager for a freedom, identity, and community forged on their own terms. In the interview, Williams discusses his novel's blend of diasporic traditions and spirituality, how his characters repair themselves and each other, and what it means to read–and write–with love. Also, Lucy Sante, author of I Heard Her Call My Name: A Memoir of Transition, returns to recommend April Ashley's Odyssey by Duncan Fallowell and April Ashley.

Kate Wolf speaks to cultural critic and historian Lucy Sante about her latest book, I Heard Her Call My Name: A Memoir of Transition. It is the story of how as living as Luc for almost the entirety of her life, three years ago, she became Lucy. The book begins with the letter she sent her closest friends with the "bombshell" confession that the image of herself as a woman had been “the consuming furnace at the center” of her life, but that she had repressed it with almost equal force. Sante goes on to reflect back on that life, from her time growing up in Belgium as the only child of emotionally distant working class parents, to her adolescence as an immigrant in suburban New Jersey, and finally her nascent adult years as a punk and budding writer in a pre-corporatized New York City. Intercutting this past with the practical steps and transcendent emotions that accompany her first few months of transitioning, Sante explores the ways she contorted herself to fit into her male identity and the great unhappiness