Backalleyblues

The Radiators were born during a transitional decade in the history of New Orleans music. The Meters, the premier funk band, had disbanded, the Neville Brothers formed, and in 1980 Professor Longhair, the father of New Orleans R&B and spiritual embodiment of Crescent City Soul had passed on. This decade would prove to be the fertile period of development when a unique blend of rhythms and sounds came together and "Fish Head" music was born. The Radiators, an extremely eclectic group of musicians, rely on a myriad of musical influences to create their own sound - "Fish Head Music". At a Radiators show it is not uncommon to hear blues, R&B, jazz, country, Zydeco, soul, swing, and even gospel filtering through their original New Orleans Rock N' Roll. This group could only come from New Orleans. Since its earliest settlement, the city developed a rich musical heritage that gave birth to 20th century American music. Musicians from this region were the first to incorporate African rhythms with Western melody. Begi

As tough as the life of a professional musician must have been in the '30s, the plight of a typical Carolina millworker was a whole lot worse. This was the background that Dorsey and Howard Dixon were born into, as they and their family all worked in the mills of Darlington, Lancaster, and Greenville, SC, as well as East Rockingham, NC. Dorsey was born October 5, 1897, and his brother on June 9, 1903. Music was an outlet from the long hours, lousy pay, and miserable factory conditions, with the workers often picked on by their bosses for being so-called hillbillies, and persecuted by local police for being so-called communists. Perhaps a career in country music was inevitable for hillbilly communists and it surely must have seemed like it would be more rewarding. At any rate, Dorsey picked up guitar at 14 and switched to fiddle later. When his little brother also figured out chords on the guitar, the two put together a fiddle-guitar duo, although the older brother continued practicing guitar. The most importa

Hailing from Arkansas, Fred Tackett worked as a side man on many Little Feat albums before becoming a full member of the band for Let It Roll. Along with his fine guitar work, Fred's mandolin and trumpet have become a featured part of the Little Feat sound. Robert Palmer writes about Fred Tackett's early years in Rock and Roll: An Unruly History In addition to his work with the Feat, Fred has a very large discography of work with other artists. Here are just some of the artists Fred has recorded with: Allman Brothers, Greg Allman, Rory Block, Jackson Browne, Glen Campbell, Eric Carmen, Valerie Carter, Judy Collins, Rita Coolidge, Bob Dylan, Lowell George, Vince Gill, Rickie Lee Jones, Nicolette Larson, Juice Newton, Aaron Neville, Van Dyke Parks, Bonnie Raitt, Lionel Richie, Leo Sayer, Carly Simon, Boz Scaggs, Rod Stewart, Harry Nilsson, Bob Seger, Ringo Starr, Tom Waits, the Wallflowers, and Jimmy Webb For a more complete list of Fred Tackett's recordings, see the Little Feat Discography

Scott was raised in northern Jersey in the early seventies when Jersey was still farmland and a quiet place. Since this area has been built up to include industry and shopping malls, Scott moved farther away to northeast PA "My dad gave me sort of a guitar for Christmas one year... it was a little plastic guitar with plastic strings - plucking along with my parents playing country music on the stereo. I was around 8 years old and my dad said, "Play something like Johnny Cash and I will buy you a real one." I learned, I walk the line sort of and I finally got a guitar made of wood... buy my teacher was Mr. Joseph - a man about 82 years old. He wanted me to play Mary Had A Little Lamb' single notes... I soon got bored. Later, I got a real silver-tone Sears Electric and an amp from a friend. The guitar obsession was born playing Hendrix and early Elvis by ear." Later, Scott was taught some scales, on guitar by hippie guitar master, Dave Williams. At sixteen, he was playing with local bands. The showman was born,

Hi, I´m L W Hawkins, a Swedish free time musician, living just outside Stockholm. I have had blues and rock´n roll as hobby since the 70´s and my influences come from a wide range of artists within rock and blues. Why this name? Got a nice ring to it. Originally LW Hawkins was a sheriff in Twin Falls County who managed to spot UFO:s back in the 40´s. Do you play live? Have played bass in several cover bands. For the time being mostly recording playing most instruments by myself. How, do you think, does the internet (or mp3) change the music industry? Hot question right now...think the music industry will find a way to satisfy all parties in some kind of compromise for music distribution Would you still sign a record contract with a major label? Yes Band History: Earlier bands: Onyx, Ella Blues Band and Orientexpressen Your influences? Eagles, ZZ Top, BB King, Jimi Hendrix, Clapton, Led Zeppelin, John Lee Hooker, Swedish artists Louise Hoffsten and Mats Ronander to mention a couple of names. Favorite

Little Freddie's real name is Fread E. Martin and he was born in McComb, Mississippi, July 19, 1940 down the road from Bo Diddley place. His father, Jessie James Martin, was a blues guitarist that worked the weekend southern circuit in the Delta. His father would bring him out on the town when he was out there playin. "I would go out there and sit around on the outside around the juke joints and listenin." He'd be playin and drinkin and everyone was havin' fun. Freddie eventually taught himself how to play guitar and develop his country-style blues or as he calls it "Gut Bucket Blues". At the age of 17, Freddie moved from the farm to New Orleans to stay with his sister. There he met such upcoming stars as Buddy Guy and Slim Harpo. However, adapting to life in the big city wasn't easy as Freddie explains. "I got lost all the time," he said. "All the houses looked the same. I had to get the police to take me home or else they'd arrest me. Finally one of the policemen told me to look at the street sign and the

My name is Brad and Brad Sucks is the name of my one man band. I write, record and produce songs and put them on this website for people to download and hopefully share and enjoy. There are also some albums for sale. In 2001, I started using the Internet (blogs, MP3s, P2P) to spread my music and not worrying so much about copyright violation. I've even been giving the source of my songs away for remixers to play with. I figured that spreading my music should be the number one goal and so far it's worked out pretty well. Despite giving my music away for free online, my songs have been licensed for television, played on commercial and campus radio, and I made enough money from licensing and sales to do a real pressing of my first CD http://www.myspace.com/bradsucks

Backdoormen Bluesband were named after the Willie Dixon song of the same name. They have been playing their potent blues based mix of original songs and covers for the last 18 years in the south west of the UK. The twin guitar based band with lashings of harp from Jeff Horsey and backing vocals from the lovely Tucker sisters are a main draw on the blues scene in this neck of the woods. Check 'em out! The band have always served as a magnet for up and coming talent and have often incorporated other musicians and even a four piece rocking brass section on occasions. For the last ten years Backdoormen have usually featured Gyan Bansall on rhythm and second lead guitar. (He plays beautiful Peter Green style licks) and Kate and Vanessa Tucker on lead and backing vocals. Their input into the band has been immense. Kate sings like Aretha Franklin while Vanessa is more Bonnie Raitt. What a combination! They look great too. . What sort of music should you expect at a Backdoormen gig? Well, the basic line up always f

The BAND Kevin Artemio Jan Grant Ingo Information for Press in PDF Big Wolf Pappa is critically acclaimed singer songwriter Kevin Wilcox and band. Kevin was born in St. Louis MO and grew up in a small town ; north of St. Louis. Kevin comes from a musical family. His mother play piano and guitar in Blues, Jazz and country bands. Kevin has led a well traveled and interesting life and it is reflected in his songwriting. Kevin is also an accomplished guitar player, who played all guitars on the bands debut CD “Your Blood and Mine”. Big Wolf Pappa was founded in June 2004 when Kevin met in Mannheim bass player Grant Jones and drummer Ingo Post. Guitarist. Artemio Cruccolini joined the Band in December 2004. Artemio is from Italy and has a background in blues and jazz. He is a talented and innovative guitarist whose work on the bands second CD “Shine” often borders on brilliant. The newest member of The band is guitarist Jan Lindqvist. Jan is originally from Sweden and now lives in Heidelberg Germany. Jan

My name is Cora Mae Bryant and my father is Curley James Weaver. He played with Blind Willie McTell, Buddy Moss, Barbecue Bob, Eddie Mapp and all of em. I remember I used to sit on Buddy Moss' and Eddie Mapp's lap and reach in their front pocket and pull out some chewing gum. They used to play around with my father. We plays the original Georgia blues music. We plays and sings songs that my father, Blind Willie and Barbecue Bob and Buddy Moss made and Joshua plays them all so close. He really took the time to learn how to play em. And I makes up my own songs and Joshua plays them like my father and them, you know in that same style. Cora Mae Bryant is the daughter of Georgia guitar legend Curley Weaver. She remembers, "When the weekend came, Daddy would come and get me. We did not know the difference between night and day." Cora is a blues scholar; her house is a blues museum. She can tell you everything one needs to know of the old blues. If you need a good lesson I strongly urge you to make a trip to h

Blues guitarist Lee Gates was born in Mississippi sometime in the 1940s. As a first cousin to blues legend Albert Collins it seemed ordained that he would love the blues and become a blues artist. It’s easy to hear the family influence when Lee picks up his guitar and the music begins to flow. Lee moved to Milwaukee in 1959 and started playing at Wilson’s Club at 10th and Center Street with the house band. He stayed with the club for 15 years straight and has been treating fans in Milwaukee to his brand of down home blues for almost fifty years. Even though Lee and Albert both played the blues they never met until Lee was in his early 30s. Lee says it was due to his uncle living in Texas, “My daddy’s brother had a lot of kids out there in Texas. I never met them as a child, but we all knew of each other.” After he finally met his legendary cousin in 1974, he would show him around Milwaukee whenever Albert came to town and they would do some gigs together. He remembers those times as something special and s

Texas Boogie - Riding High

Mississippi John Hurt 1892 - 1966 Mississippi John Hurt's father was Isom and his mother Mary Jan McCain. He was born in Teoc, MS on July 3, 1892 in the hill country not far from the tiny town of Avalon whose population was not even one hundred. He was one of three children who at the age of nine, began to teach himself how to play the guitar when his Mother had bought him his first, "Black Annie." She paid $1.50 for it. Hurt had soon developed a style like no other artist of his time or from the area Hurt was originally discovered in 1928 by Okeh recording director Tommy Rockwell when he had heard about John Hurt from two white country musicians he had recorded in the area, guitar player Shell Smith and fiddler Willie Narmour. After recording Narmour, Rockwell quickly auditioned Hurt. Hurt, who again had rarely left the Avalon area soon traveled to Memphis, TN where he recorded eight titles. It was at this time that "Frankie" and "Nobody's Dirty Business" were released. Hurt remembered being very ne

The Radiators blend some Creole spice with a little bit of bayou funk and then add some of that mean river blues to create what is know as Fish Head Music. Like fine jambalaya, you just never know exactly what the Radiators will cook up. Their non stop yearly tours include the top clubs and festivals, from BB Kings in NYC to High Sierra fest in Quincy, CA. Their fans have honored the true New Orleans connection the Radiators represent by forming private krewes all over America. But instead of beads these people throw Radiators shows. Their DADs ball every Halloween in Minnesota has become legendary. In only its fourth year, The Monkey Krewe of south Florida has followed valiantly in its predecessors footsteps. Like the Minnesota DADs krewe, many members of the Monkey Krewe are frequent visitors to New Orleans and have an eye for keeping things as authentic as possible. There is a Monkey Krewe Court with coronations and the weekend builds up to a masquerade ball known as the Monkey Ball, of course. And these

Willie’s first recording was a local production with Alabama bluesman “Birmingham” George Conner, titled Walkin’ the Walk, Talkin’ the Talk. This CD created an unexpected amount of interest, and promoted reviewer Gordon Baxter to state, “No label, no catalog number, and definitely no doubt about it, Walkin’ The Walk Talkin’ The Talk will feature in my top 10 albums of 2000.” I Am the Blues, Willie’s next CD, was a solo project, produced by Willie King in collaboration with the Alabama Blues Project. Again, despite being independently produced and initially only locally distribute, this album gained a lot of critical acclaim. This CD was a “Top 10 Album of 2000” for Niles Frantz, host to Chicago Public Radio’s Comin’ Home program. He described it as “Howlin’ Wolf meets B.B. King in the Alabama backwoods. The real deal . . . brilliant.” Jim O’Neal eventually caught up with Willie King to record Freedom Creek, Willie King’s debut album on Rooster Blues Records. With international distribution, this was King’s

We all come from diverse backgrounds and have joined together to create a unique sound of Blues Jam Rock. James and Dave played in Simple Agression, a metal band, and their CD was sold in the U.S. and in Europe. James went on to play in another blues band, Jamestown. Dave also played in Quadimondi a progressive rock band. Keith was in Swan, Factor S, and Painter all cover and original bands. Painter toured the East Coast and was on several album projects. His latest project was West End, an all original contemporary rock band. Their CD was well received and they had a very loyal following. We have taken all of our combined musical tastes, experiences and love of all great music and formed eastsouthern. It has been a challenge but, well worth it.

Being an independent artist. This move started out by having a few labels tell you they love you and your the best etc........ but they are not taking risk on this kind of music. Its not the 1970's anymore. Holding on to what I loved I continued on without any financial support from labels etc. Everything I did was on my own. This was now the late 90's and in investing my own money I started buying and selling analog multitrack recorders. There was a huge second hand market for these recorders as the turn of the independent musician and a home studio revolution was just starting to take place. I had Tascams, Otaris, MCI's, Ampex you name it they all came through my door. With all this going on I successfully got enough recording gear to do my own thing and not pay for studio time for recording. I was now ready for the next generation of music MP3's. MP3 sites were popping up all over the web. Only one was the real deal. The original MP3.com site. It no longer exists just a shell make shift version created by

Indianapolis blues royalty Da Bottomfeeders know how to rock a house party. They stay true to the original formula and hold it tight all night long. Their tasty licks and smoking harp tones would be welcome at any fish fry. http://music.download.com/Dabottomfeeders/3600-8373_32-100632724.html?tag=MDL_FA_artistI

http://www.oswegoharborfest.com/schedule.php?type=reg&day=sunday http://music.download.com/bernieclarkeandtherhythmsharks/3600-8410_32-100576927.html

This is the title track from the Corby Yates Band "Back From Yesterday" CD. The album was released in 2005 and features Corby Yates on lead guitar and vocals, his dad Jim Yates on bass and Andy Doerschuk on drums. The whole "Back From Yesterday" album rocks solid, just like this track. It's available at www.CD Baby.com. If you enjoy guitar driven, heavy blues rock, you'll be happy you bought this album. Corby dominates the genre of "psycho-active blues rock." And if you ever get a chance to see Corby Yates perform at a live show, DON'T MISS IT. The Corby Yates Band is an incredible and electrifying live act. http://www.corbyyates.com/Home.cfm