School Of Movies

[School of Movies 2022] For this one we went all-out. It was an incredibly rich and dense discussion for the initial recording and I have added a ton of extra content, all to the sounds of the eclectic soundtrack and the rarely-heard extended score of Don Davis.  This is the first part of an evolution of the binary Us vs. Them dichotomy of The Matrix (1999) and was far less successful in ensnaring audiences with expanded perspective. What Film 2 sets up, Film 3 knocks down, and then decades later, Film 4 then ruminates on. So if you always thought the sequels were trash this may at least convey what they were trying to say. If you've always had a soft spot for them this will be a dream come true.  Next week we will be focusing on The Animatrix (2003) Guests: Brenden Agnew @BLCAgnew of Cinapse Victoria Luna B. Grieve:  @VixenVVitch  Alexa Vargas @Plutoburns whose YouTube channel is here Mackenzie Eastram  @KenziePhoenix of Rainbow Connection @MuppetsPod and Video Game: The Movie: The Podcast  @VGTMPod

[School of Movies 2022] Highly appropriately we cap off the James Cameron season with both the end of the beginning and the beginning of the end. We are starting 2022 with the original Avatar from 2009, and hopefully we will be finishing the year with Avatar 2. But with four more sequels planned out over the next decade it's very possible this man will spend the rest of his life on Pandora.  And that feels weirdly appropriate. He spent the first half of the 2000s under the sea, obsessively re-examining the wreck of Titanic. Then he began to craft this whole new world to escape to, and he's been there ever since.  But how does this first film stand up alone? Without the benefits of a mountain of hype and a huge 3D screen. How is it on just a big TV in a darkened living room? Jump on your Ikran and fly through the alien jungle with us. 

[School of Movies 2021] A lively and enthusiastic end of one trilogy and setup for a different flavour of future web-slinging, this thing drew gasps, cheers and applause, even from my British audience, and we don't cheer for anything except football. This is a really special and important Spider-Man movie. Beyond all hyperbole and landmark moments in comic-book style crossovers it is a story about the serious toll that being Spidey extracts from everyone under that signature mask. Guests: Brenden Agnew @BLCAgnew of Cinapse Mackenzie Eastram  @KenziePhoenix of Rainbow Connection @MuppetsPod Nathan Eastram @bertnerdtram These two also of Video Game: The Movie: The Podcast  @VGTMPodcast Austin Wilden @WC_WIT of Wits-Writing  Nama Chibitty of our Discord @NamaTheNerd 

[School of Movies 2021] This is the big one, folks. This is the movie I didn't realise how passionate I was about until we started engaging our analytical style to it. I've had Titanic in the back of my head as a film I really wanted to talk about for many many years, and I suspect i was waiting for The Abyss and True Lies to hit blu ray so we could do a James Cameron Season, or at least for Avatar 2 to finally emerge. In the end we just had to go ahead and hoist the anchor without them. As it turns out this massive, cinematic phenomenon is rather special. Despised by some, upon its release in 1997, it found the largest audience ever, and bewitched them. And it achieved this success not by being flashy and showy alone, but by giving us a story that many would want to return to again and again. That's one of the more powerful ways to get that top spot.  And I say this without hyperbole, in terms of shows I've put together with just Sharon and I at the mics, this might be the appropriately grandest. We pulle

[School of Movies 2021] Taking a break from Cameron Season to focus on a holiday movie hardly anybody has seen or knows about. This one from 1994, produced by Jerry Bruckheimer is one of the anti-Christmas set. One for people who see the entire family coming over as a bit of a nightmare, rather than the most wonderful time of the year. The focus is on Lloyd and Caroline Chasseur, a married couple on the rocks, at one another's throats the whole time and each sitting on a powder-keg of resentment. Things take a turn one Christmas Eve when Gus, an irascible cat burglar hiding from the cops takes them hostage, only to find them impossible to deal with. And then the whole family come round and Gus has to pretend to be their marriage counsellor, Dr Wong, it's a seasonal farce, but one with unexpected heart and grit. It might be hard-going if you don't like dragging everything out to be examined, but we crafted this show to cater to the majority who haven't ever seen this, so you'll get a full sense of the story

[School of Movies 2021] The Cameron season continues with yet another massive blockbuster for its time that is almost impossible to find in HD today. You can see why we held off this long, just waiting for Jim and the studios to get their act together and release these from the vaults.  (Un)luckily(?)  Disney have handed the IP over to a new director to make a Disney+ show. It almost certainly won't contain Arnold Schwarzenegger or Jamie Lee Curtis, and the world we're in right now is wildly different to the 1994 this emerged into. It was even a year before Pierce Brosnan's debut as James Bond. And I struggle to fathom why they would want to capitalise on a brand that has been purposefully buried for nearly 30 years, AND hand that project to McG of all people! But doing so will at least (probably?) bring the film we're covering today to the most accessible streaming platform, so we can all collectively suck air in through our mouths as the brazen, complacent mid-90s dick-waggling at terrorism plays out. H

[Digital Drift 2015] This was originally released in 2015 in a series covering the (then) five Terminator movies. But it seemed wildly appropriate to recover and spotlight the first two as the Cameron-directed pair stand tall as recognised classics while the rest imitate (though we maintain that Dark Fate from 2019 is a worthy completion of a Trilogy. Check out our April 2020 episode on that woefully overlooked conclusion). Unlike The Abyss everyone has seen T2. So we delve into the subtleties and lore, starting off with taking it to task over the time travel, but proceeding into this story as a parable for unilateral disarmament. Joshua Garrity joins us once again to explore this cybernetic opera, in which Los Angeles of the 1990s is as much a character as any of the vibrant figures onscreen. Many thanks to Daniel Floyd for a segment of his on the existentially powerful arcade game Missile Command. Guest: Joshua Garrity of Cane and Rinse

[School of Movies 2021] The first all-new show for the James Cameron season, and it's a doozy.  You may have heard stories about the troubled events of the shoot, and what the actors and crew were forced to go through by their hard taskmaster of a director. Or you may not have. Many people, especially in their 20s or below might never have seen or even *heard* of this 1989 film, sandwiched between Aliens and Terminator 2, since it would appear Cameron himself has been trying to keep it buried at the bottom of the sea for more than 32 years! There's little other explanation as to why it hasn't received an authorised remastering since the days of laserdisc (ask your grandfathers). So, journey down with us now, as Sharon and I strap on our specialised deep-diving gear and prepare to breathe-in the pink water. 

[School of Movies 2021] This one came out surprisingly contentious. What was originally, seemingly set to be Marvel powering back into Phase 4 with a new group of superbeings now that The Avengers are on garden leave, actually turned out to be quite a risky endeavour. It's a Space-Odyssey-scaled combination of metaphysical rumination, mature interpersonal relationships, deliberately diverse casting and a hot property award-winning Chinese, female director with a very personal pitch. It's also got epic fights, giant monster greeblies and laser eyes. And at least in terms of box office and critical praise it seems right now like this gamble hasn't worked. A lot of folks bounced right off Eternals. We ourselves were thrown by many elements, but ultimately warmed to it, and we suspect this one might grow in appreciation over time. Find out possible reasons why, right here.  Guests: Brenden Agnew @BLCAgnew of Cinapse

[Digital Gonzo 2012] NOTE: This episode has been significantly re-edited, and I would say improved for its 2021 overhaul. The original 2012 show can be found on the School of Movies Archive feed. James Cameron took the helm from Ridley Scott, and made this sequel into something that complimented and expanded upon the masterful original. With more of a Sci-Fi action feel, the director of Avatar, the two best Terminator films and Piranha II: The Spawning chose to focus on humorous machismo, strong female characters, and a socio-political, anti-military, anti-corporate agenda… it would not be the last time. Once again we tried to be as serious as possible, once again we failed, hence the multitude of outtakes at the end which include at least one of us in the grip of hysterics. Guests: Leah Haydu of Cane and Rinse Joshua Garrity of Cane and Rinse Matt Ramsey of GamerDork James Perkins of Starburst Magazine 

[Digital Drift 2015] NOTE: The James Cameron season begins! And rather than making you go back and root through the School of Movies Archive podcast feed for the shows on some of his very best films, we are re-releasing The Terminator and Terminator 2 that we recorded for Digital Drift in 2015. Along with this I have done an extensive re-edit of our 2012 show on Aliens for Digital Gonzo. That will be out tomorrow. Coming up in the next few weeks, intermitting with our show on The Eternals and possibly Ghostbusters: Afterlife we have brand new episodes on The Abyss, True Lies, Titanic and Avatar.  Now to the film that brought the sci-fi movement in the 80s to a new plateau and made James Cameron a name in the industry. This dark tale of a soldier from a future war coming back to protect an unborn leader may have many elements which stem from a bunch of other works, but it tells itself in such dramatic, intense fashion that it feels special and unnerving, epic and yet intimate. This thing cost $6.4 million a

[School of Everything Else 2021] One of the best shows on Netflix and one of the finest animated series, very specifically tailored for an adult audience. Castlevania achieves, philosophically speaking, what so many other lesser shows set out to accomplish and find themselves still wanting. It's surprisingly softly spoken, mostly concerned with establishing and developing characters. It's dark and sad and seductive and consistently funny. It's about power-plays and loneliness. And the soul of humanity is always on trial.  In this episode we go through the four seasons, covering the major characters in a roughly chronological order. We discuss some of the major story beats, so if you want to watch the show knowing nothing you might want to do that first. Seasons 1 & 2 are 12 episodes altogether and form their own full and dramatic story. Seasons 3 and 4 elaborate upon that, forming a longer second half which gets even richer and more explorative.  Guest: Toby Jungius of Through the Wind Door @TJungius

[School of Movies 2021] One of the most expensive, vampire films ever made. This first adaptation of Anne Rice's Chronicles ran on star power, lavish costume and set design and a potent strain of existential crisis. It's the tale of Louis, a mourning, bereaved widower who in his despairing malaise meets a sleazy, charismatic, sociopathic vampire named Lestat. For reasons we will go into, Louis decides eternal life would be a splendid idea at this point.  Neil Jordan directs the hell out of this intense Gothic melodrama, which was very important to Sharon as a teenager, and over time has become an excellent example of the kind of bloodsucker movie where we focus on the vampires themselves and they look both inward and outward at humanity. It clearly proved massively influential on Vampire: The Masquerade, Buffy the Vampire Slayer, the Vampire Diaries, The Twilight Saga, Only Lovers Left Alive and even What We Do in the Shadows. It also spawned a wretched (not-actually-a) sequel in Queen of the Damned (2002),

[School of Movies 2021] This show is about both the 1992 original, based on the short story "The Forbidden" by Clive Barker and directed by Bernard Rose, AND the 2021 film directed by Nia DaCosta which shares the name but is in fact both a remake and an in-world sequel.  We decided to gate off all discussion of the new film for the second half of this show, so you can listen to the first half without fear of learning too much. However, both are now available for rental and we would sincerely suggest you watch the pair in release order (ignoring the straight-to-video grade sequels "Farewell to the Flesh" (1995) and "Day of the Dead" (1999). What started out quite troublesome with a mixed message and a powerful yet clumsy execution has now been sharpened to a razor edge of social satire and brooding, urban horror, rightfully reclaimed. And to make this one even spicier, we attempted not to speak His name even once, lest we inadvertently summon Him. ...Listen if you dare, to hear if we made it all the way th

[School of Everything Else 2021] For the first time ever, a direct MCU production really threw me. We've had underachieving films in the past, like the listless Thor: The Dark World, the dramatically unexplorative Ant-Man and The Wasp and starting out with a really serious challenge for our flawed hero before dropping the PTSD ball in the third act with Iron Man 3. Thanos was troublingly handled in Infinity War and a year of imbecilic agreement in the myopic viewpoints of a sympathetically-cast abuser only made that worse. WandaVision, Falcon and Loki all had their missed marks in otherwise solid packages. But this one was wildly uneven. It had two episodes I actively despise, a couple I absolutely adore and a bunch of fluff in the middle. And so that we end on a high note we will be scaling the Marvel mountain in that order. Guests: Greg Downing of Through the Wind Door @MightyGregDoge Austin Wilden from our Discord @WC_WIT

[School of Movies 2021] We hadn't planned on doing this one so early, but by the time I walked out of the cinema I wanted to finish off the quintet with the same flourish and passion as this film does. It impressed the hell out of me, and then did the same for Sharon. And when we began recording neither of us knew what the other thought, which creates an unusual frisson. No spoilers in these notes. But I honestly suggest you see the film before listening. One of our listeners has never seen ANY Bond movies, so to her I suggested Casino Royale or Skyfall as a stand-alone first experience, as all five in a row is a big ask especially with the wildly varying tones across the fifteen-year board. I am also re-releasing the 2015 shows on Skyfall and Spectre on the main feed, so that all these soldiers are lined up in a row. I'm already being told on social media "I have to say I hated it" which makes me sad on several levels. To me, while the length and pacing are uneven, much like the overall series, this is a

[School of Movies 2015] NOTE: This is a remastered episode, re-released for 2021. Unlike Skyfall, where I made a handful of tweaks, this one received a heavy edit. Almost an HOUR of the original show was devoted to speculation on what Sony/MGM/EON/Danjaq would do with the *next* Bond film. At the time Daniel Craig seemed to have had enough, and it was very much a possibility that Spectre would be his last outing. Ergo pretty much everything we said is now irrelevant. So I streamlined the conversation to be only about the film itself, and added a lot more of Thomas Newman's excellent score. If you really want the uncut show you can find it in the School of Movies Archive podcast feed.  This is a supremely divisive movie. On the one hand some folks hail it as a fantastic instalment of the long-running series, proof that 007 is still flying high. On the other, it has been decried as evidence of the exact opposite, seemingly underlining and exemplifying everything that was broken about Bond back in the past whe

[School of Movies 2015] NOTE: This is a remastered episode, re-released for 2021. It's a little tighter, less waffle, more music.  The Craig era, previously discussed back in 2011 gets the royal treatment and we talk Sam Mendez, Roger Deakins, Thomas Newman, Javier Bardem, Ben Wishaw, Ralph Fiennes, Naomie Harris and Her Majesty, Queen Dench.  Skyfall stands as a divisive, yet extremely high-quality instalment in the long-running series, with small-scale, personal stakes and a narrative that reflects the very concept of Bond singing for its supper.  Guests: Gary Blower of GamerBurst James Batchelor of Bond and Beyond Alex Boucher of Bond and Beyond

[School of Movies 2021] As I say at the end of this episode, there's a reason why going back to cover these first two Daniel Craig Bonds has been so rich and gratifying for us. Back then they were building a character. Since then, to a degree with Skyfall and definitely with Spectre it has been a case of nudging that more textured character into a comforting template with certain accoutrements that the specific actor brought with him.  And to a degree that has meant stripping away some of that texture. Quantum of Solace has always been maligned. This episode focuses on both its all-too-often unappreciated strengths as well as the weaknesses that throw up a barrier between film and audience and actually prevent many of the stronger blows from landing.  We hope by the end you'll have a good enough set of reasons to go back and reassess. 

[School of Movies 2021] To coincide with the long-awaited release of No Time to Die we decided to go back to the beginning of Daniel Craig's career as 007. A decade ago I covered the first 22 Bond movies with James Batchelor and Gary Blower, over three mammoth episodes, covering each era. That took us all the way up to Quantum of Solace.  But Sharon wasn't on those, episodes and we only had so much time to cover each movie. Plus I'd like to think we've gotten better over the years. So this one is all about the 2006 debut movie, which remains our favourite of the series for reasons we will definitely be elaborating upon. Next week, since we've already covered Skyfall and Spectre together, back in 2015 we will be talking about the much-maligned sequel, Quantum of Solace.