Music Matters

As the COP26 climate summit continues, Tom Service is joined by a panel of guests to discuss how musicians, orchestras and cultural organisations can respond to climate change. Live guests include violinist and conductor Pekka Kuusisto, London Symphony Orchestra Managing Director Kathryn McDowell and founder of the cultural and environmental charity Julie's Bicycle, Alison Tickell. We also hear from the environmental consultant Natalja Andersson about her work on Gothenburg Opera's sustainable production of Wagner's Ring Cycle.Tom talks to Norwegian musician and composer Terje Isungset about his Ice Music project and gets his unique perspective on the changing planet after 20 years of making ice instruments. Inuk singer Tanya Tagaq discusses the relationship between her music and the natural environment and we explore environmental soundscapes with music writer Kate Galloway. Plus, journalist Zack Ferriday shares his thoughts on the limitations of musical activism.Music clips from COP26 include: Brìghde Chaim

Following the death of Bernard Haitink this week, Tom revisits the last Music Matters interview the Dutch conductor gave at his home in 2017, a moving account of his beginnings in music, his love for the musicians he worked with in the world's top orchestras, and his thoughts on the power of music to transcend.Also this week, Tom looks into the issues affecting young people transitioning from studying music at 16-19 to Higher Education, following a recent report by Adam Whittaker from the Royal Birmingham Conservatoire showing declining numbers at A-level. Tom discusses with Adam, and with Bridget Whyte of Music Mark, and we hear how two universities are responding: Royal Holloway, University of London, and Keele University in Staffordshire.Tom catches up with the contralto turned conductor Nathalie Stutzmann following her appointment as the next music director of the Atlanta Symphony Orchestra, hearing about her bold plans for the orchestra's repertoire and for its engagement with the city's many and varied

In 1999 the musician Warren Ellis clambered onstage at the Royal Festival Hall to retrieve a piece of chewing gum. The gum was deposited there by Nina Simone, who had chewed it throughout her concert that night. Fast forward twenty-two years and Ellis has written a book inspired by the piece of gum, now enshrined in its own glass case, on a specially built gum plinth. Kate Molleson caught up with him to find out more about a story which goes to the heart of artistic belief, generosity and affirmation. It was a book he never really set out to write, but then couldn’t not write.Following on from Music Matters’ meeting with Steve Reich two weeks ago, Kate delves further into the origins, development and lasting legacy of minimalism. She talks to composers Linda Catlin Smith, Nate Wooley and Julia Wolfe to find out how a disparate group with new ideas continues to inspire, and also hears from pioneers such as Philip Glass and Pauline Oliveros about the mentality of anti-hierarchy and participation which changed t

Kate Molleson presents a live edition of Music Matters from the BBC's Contains Strong Language Festival in Coventry, featuring live music and a panel of guests discussing the parallel rhythms and sounds of music and language from the ancient oral tradition of folk music to right through to the contemporary sounds of today. Kate's guests include Netia Jones, Liz Berry, Martin Carthy and Andy Ingamells.

Pianist Igor Levit talks to Tom Service about his latest epic recording project – three and a half hours of music by Dmitri Shostakovich and the Scottish composer Ronald Stevenson. No stranger to large-scale works he live-streamed Erik Satie’s Vexations during lockdown playing 840 repetitions over 16 hours as part of his online House Concerts. He discusses the huge challenges on every page of Stevenson’s Passacaglia and the contradictions of his life as a pianist and his political beliefs.Folk singer Martin Carthy and former High Court judge and part-time song collector Stephen Sedley join Tom to talk about their new book, ‘Who Killed Cock Robin: British Folk Songs of Crime and Punishment’, which explores the legal and moral basis of some of the most moving songs in the folk traditions of the country. We hear recordings by Martin Carthy, Shirley Collins, Rachel Newton and a 1953 archive recording of Ewan MacColl singing ‘McCaffery’, provided by the School of Scottish Studies Archives.As Russians go to the pol

As Music Matters returns to the airwaves for the Autumn, and classical music emerges from Covid along with the rest of the world, Tom Service assesses the current state of play with musicians and industry leaders, and asks them how much has really changed in the last eighteen months and what the future holds. Gillian Moore, Director of Music at the Southbank Centre in London, and Roger Wright, Chief Executive of the newly-merged Britten Pears Arts in Suffolk, explain how they navigated the issues raised for their organisations by Covid restrictions, and what they take from these experiences moving forward. Freelance trumpeter Chris Cotter spoke to Music Matters last year about finding a new living from painting and decorating when his concerts dried up in lockdowns, and he updates Tom now on his return to live music. Soprano Juliet Fraser talks, too, about her adventures with the TC Helicon during lockdown and her experiences of returning to the stage. Tom Service also speaks to Igor Toronyi-Lalic, arts e

Kate Molleson looks back on a year of musical connection and reflection as she revisits some of the guests we have featured on Music Matters.Kate talks to American composer, vocalist, dancer and film artist, Meredith Monk and she shares her thoughts on nature, art and resilience through the age of pandemic. Tom Service and South African soprano, Golda Schultz look back on Golda’s memorable appearance at the 2020 Last Night of the Proms. Earlier this month, the celebrated opera director Sir Graham Vick died at the age of 67. He founded Birmingham Opera Company in 1987, and we hear Tom Service’s report from the community production of Verdi’s Otello.And finally, Kate talks to Betsy Jolas, the French composer who moved to the US in the 1940s, as she approaches her 95th birthday in August. They talk about composition, analysis and how to start writing a new piece.

Kate Molleson talks to some of today's greatest writers about how music shapes their work and explores the ineffable intersection between words and music. Featuring Colm Tóibín, Elif Shafak, Ishmael Reed, Simon Armitage and Lavinia Greenlaw.Best-selling Irish author Colm Tóibín’s writing is infused with sound and music. His latest book is a fictional account of the life of Thomas Mann and is steeped in Mahler and Schoenberg. He discusses the powerful role music plays in his fiction and reads from his book ‘Nora Webster’, in which the main character finds resilience through music after the death of her husband. Turkish-British writer Elif Shafak talks about the sound of Istanbul, the social implications of sound and silence and how her books can give voice to those in society who are otherwise voiceless. She reads from her acclaimed book ‘10 Minutes 38 Seconds in this Strange World’ and talks about the influence of heavy metal on her writing. US writer Ishmael Reed explores the role of improvisation and rhythm

Image credit: The Japan Art AssociationAs the celebrated violinist Anne-Sophie Mutter prepares for the premiere of John Williams’s new violin concerto, she talks to Tom Service about making music in and out of the pandemic. She reflects on how her relationship to music has changed over the past 18 months and the need for urgent change when it comes to supporting music and culture in German and beyond.A New Topography of Love Part II is an animated video-game opera experience currently being developed by writer and director John McIlduff and composer Brian Irvine at Dumbworld productions, in collaboration with artists and game developers. Tom catches up with Brian Irvine and Vicky Potts from Whitepot Studios to find out how they plan to put opera inside arcade cabinets.The Berlin-based Belarusian conductor Vitali Alekseenok travelled back to Belarus last August to join protests against the latest election of Alexander Lukashenko as the country’s leader – a result which has not been accepted by the EU or the UK

Linton Stephens is joined by the soprano Nadine Benjamin ahead of a performance of her autobiographical opera BEAM, part of the Summer at Snape season. She reflects on how music has the power to heal and why she finds strength in her voice.The music psychologist Natasha Hendry talks to Linton about her research into race and racism in music education and the music industry. As Radio 3 celebrates the London Festival of Architecture, Music Matters visits Bold Tendencies at its unique home in Peckham’s former multi-storey car park, and speaks to the organisation’s founder Hannah Barry, the acoustician Dave Parsons, the pianist Samson Tsoy and producer Fraser Smith, to learn how the building’s fabric impacts sound quality and informs artistry.And, Linton also hears from soprano Stephanie Corley, director James Brining, and conductor James Holmes, about a new collaborative production of A Little Night Music by both Opera North and the Leeds Playhouse, and learns how Sondheim’s portrayal of human relationships spea

Kate Molleson celebrates Coventry as UK City of Culture 2021, exploring the musical life there, its rich musical history, and talking about what the future holds for Coventrians. She begins at the heart of Coventry in the ruins of the old cathedral, which was destroyed the November night in 1940 when the German Luftwaffe flattened the city centre. It is poignantly connected to the new cathedral by Basil Spence. With its consecration began a distinctive new choral tradition, particularly under music director David Lepine. Kate talks to one of the first choristers, David Sleath, who sang at the premiere of Britten's War Requiem, conductor Paul Daniel who joined the choir in the mid-60s, and organist Rachel Mahon who is the current music director.Composer Dan Jones talks to Kate about his new work, Coventry Moves Together, which was commissioned by Coventry UK City of Culture for their inaugural day of events on 5th June, and which takes the ideas of the city's most pioneering composer, Delia Derbyshire. Kat

Tom Service is joined by the pianist Stephen Hough, and over a cup of coffee they discuss living in the moment during music during performance and how Stephen has spent much of the past year working as a composer. Double-bassist and artist Kirsty Matheson talks about the challenge she set herself to create 100 paintings about 100 pieces of music in 100 days. Responding to works by Arnold Schoenberg and Steve Reich, she describes how their works shaped the images she created as well as restored her love for music during a time when live performance wasn’t possible.Tom speaks to Schools Minister, Nick Gibb, about his ambitions for music in schools as the government announces a new Model Music Curriculum to support music education for 5 to 14 year-olds. Carolyn Baxendale, Head of Bolton Music Service, and James Dickinson, Head of Kingston-Upon-Hull Music Service, discuss how live music participation is returning for children across the country. And, ahead of the release of his memoirs, Lowering the Tone and Rai

Tom Service takes a look at the influence of horn player Dennis Brain in his centenary year - We hear from two of today's leading horn players Ben Goldscheider, who is releasing an album centred around Brain's legacy, and Sarah Willis who talks us through some iconic Dennis Brain recordings. Plus we speak to retired horn player Andrew McGavin, who played second horn to Dennis in the Philharmonia in the 1950s, for some first hand memories of the legend that was Dennis Brain.As live music venues start to open their doors to audiences with the easing of COVID restrictions we take a look at the issues surrounding physical access for disabled and neurodiverse audiences. We speak to Susanne Bull, founder of 'Attitude is Everything', Andrew Miller co-founder of the UK Disability Arts Alliance, #WeShallNotBeRemoved and audience ambassador Vivien Wilkinson about the issues and also the potential for a hybrid form of concert going that includes live streaming.As part of Mental Health Awareness Week writers Horatio Clar

Kate Molleson is joined by the violinist Patricia Kopatchinskaja as she releases two new albums of works by Schoenberg and Francisco Coll. She explains why the music education system should encourage young minds, and tells us why vulnerability is vital on the concert stage.As the trustees of Mills College announce their decision to close admissions to the college’s courses, Kate learns about the school’s legacy of training musically free thinkers with the flautist, composer, and a former co-director of the Center for Contemporary Music at Mills College, Maggi Payne, as well as the cultural journalist Geeta Dayal.We hear from the Grammy-nominated musician and scholar Benjamin Lapidus about the recent launch of his new book New York and the International Sound of Latin Music, 1940-1990. The ethnomusicologist Lucy Duran and the band leader, composer and pianist Gilberto ‘Pulpo’ Colón describe the unique sound world of the Big Apple.And, Kate talks to lecturer Helen Reddington, author of a new book She's at the C

Tom Service talks to two world-class conductors of today, Sir Antonio Pappano and Sir Simon Rattle, as they swap roles at the London Symphony Orchestra, and looks back at one of music history's first great conductors, Richard Wagner.Four weeks ago, Sir Antonio Pappano was announced as the new Chief Conductor of the London Symphony Orchestra - he will leave his current role of Music Director at the Royal Opera at Covent Garden in 2024. Pappano also has a continuing role at the Orchestra dell'Accademia Nazionale di Santa Cecilia - and it’s from the Orchestra’s home in Rome that he speaks to Tom about his early life growing up in London, his plans for the LSO, and his thoughts on conducting during lockdown.Richard Wagner was one of the great conductors of his day, and he wrote extensively about the about the philosophy as well as the technique of conducting. Chris Walton has made a new translation of Wagner's Essays on Conducting - writings which influenced generations of conductors for the next hundred years, a

Kate Molleson is joined Claire Booth, Juliet Fraser and Loré Lixenberg, three major contemporary music voices, as they pay tribute to the soprano Jane Manning who died this month. They discuss Jane's thirst for contemporary repertoire, her collaborative instinct which saw her premiere more than 350 new works by leading composers and her legendary fearless performances. We hear from the writer and Managing Director of the Barbican Centre in London, Nicholas Kenyon. His new book The Life of Music is published this month. He describes how performance remains the life force of music, and how the classical music cannon is constantly evolving.And finally, the composer and conductor Tania León speaks to Kate about her extraordinary journey from her native Cuba in 1967, to New York where she has become one of the leading music figures in the U.S.

Kate Molleson is joined by musicians in Kabul to discuss the new restrictions on women singing - the ban, from the Afghan Ministry of Education, has caused concern that the Taliban is increasing its influence in the Afghan government as western forces prepare to pull out of the country. With contributions from Ahmad Sarmast, Director of the Afghanistan National Institute of Music, and pianist Maram Abdullah.Following the death earlier this month of the conductor James Levine, Kate hears from the American music critic Anne Midgette and conductor Kenneth Woods as they discuss the moral questions surrounding Levine’s recorded legacy in the light of the controversy over his personal life.Ahead of World Autism Awareness Week, Kate talks to Adam Ockleford, who has worked extensively in the field of autism and music, and to Joe Stollery, a composer who regards his own autism as both a help and a hindrance in his musical life. And, the broadcaster Jennifer Lucy Allan speaks about her new book 'The Foghorn's Lament',

Photo credit: Dario AcostaAs the Countdown to Spring reaches zero, Tom Service hears from the South African soprano Golda Schultz as she looks back on a year where the few musical performances that have taken place have assumed a special importance, including her memorable appearance at the 2020 Last Night of the Proms, as well as last month's live stream of Weber's Der Freischutz from Munich. And she optimistically predicts a new flourishing of arts and music after the pandemic.The sound artist Jez riley French introduces us to a range of alternative spring sounds as heard by species much tinier than ourselves: the creaks and groans of a tree as it bends in the wind and fills anew with sap; the sound of an apricot begin eaten from the perspective of an ant; and the remarkable noise made by pond weed photosynthesising.And, one of the most charismatic of violinists around today, Gil Shaham joins the programme from New York to talk about his new recording of the Beethoven and Brahms Concertos with The Knights –

Tom Service presents the latest news from across the classical music industry. He speaks with the French soprano Sandrine Piau about her new CDs of music by Handel, Haydn and Strauss, and to cellist Steven Isserlis about his latest projects, including CDs of music by John Tavener and the music of Proust's salons. Tom also profiles Scottish composer Geraldine Mucha, who lived most of her life in Prague, with contributions from Mucha's son John, Chris Vinz of the Geraldine Mucha Archive, and Prague-based American pianist Patricia Goodson, who has played many of Mucha's works. Plus, a preview of the 2021 conference of the Association of British Orchestras this week with its Director Mark Pemberton, Vanessa Reed of New Music USA on programming new and underrepresented voices, and Sarah Derbyshire, Chief Executive of Orchestras Live, on a new UK report Orchestras in Healthcare.

Tom Service is joined by the artist Edmund de Waal and composer Martin Suckling as they discuss the relationships between the crafts of porcelain and contemporary composition. We hear how Edmund’s book, The White Road, and his work as a master potter, inspired Martin to pen his flute concerto. The American composer, John Corigliano, speaks to Tom about writing music which chronicled the AIDS epidemic in the 1980s, and looks forward to his new opera, The Lord of Cries. Ahead of a year-long festival at Kings Place, London, the journalist, broadcaster and author Kevin Le Gendre, and the historian and writer Leanne Langley share their perspectives on the way migration has shaped music making in the capital city. And the soprano Anna Prohaska tells Tom how, as well as making space for four recording projects during lockdown, she’s found room to concentrate on projects she might not otherwise have had time for.