Artsedge: The Kitchen Sink

Students are introduced to the concept of music as a language and how music is able to tell stories, convey emotions, and invoke thoughts. Students also learn how stories, thoughts, and emotions can be communicated without words.

In this bonus episode, learn how a composer chooses specific tools to combine an American hero’s actual words with music. Aaron Copland composed a musical tribute to President Abraham Lincoln. Why does Copland’s A Lincoln Portrait sound more stately and dignified than John Williams’ music for Superman?

This episode recaps what you learned from this series. You’ll re-listen to excerpts from Williams, Copland, Beethoven, and Elgar and match the work with each composer’s “hero.”

In this episode, you are introduced to the orchestra’s string section and the ability to use major and minor keys through the work of composer George Theophilus Walker.

Composers are sometimes inspired by other composers, making it possible to hear similarities between musical works. In this episode, you will also hear distinct differences between pieces as you are introduced to American composer John Williams’ Summon the Heroes.

In this episode, learn about the four sections of the orchestra; why a composer chooses specific instruments; and about German composer Ludwig van Beethoven and American composer Aaron Copland. Why did Beethoven choose the strings section to express the humanity in Symphony No. 7? What drew Copland to choose the brass and percussion sections for his Fanfare for the Common Man?

Everyday heroes come from the real world. A hero can be an ordinary person who does something great and who is admired for brave deeds or remarkable ability. Sometimes, a nation comes together to honor its heroes. Other times, you choose a personal hero all for yourself. While you listen, think about different types of heroes including those from pop culture, history, myths, everyday experience, and your personal life. In this episode, hear how heroes are celebrated with music, whether by a triumphant march or a thoughtful theme. Discover the basic musical tools used by composers, like John Williams and his use of pitch and rhythm.

You probably know about Francis Scott Key’s inspired poetry, drafted during the bombing of Fort McHenry in Baltimore, but where did the music come from? Is there a really a law that requires Americans to stand when it is played? Can it be sung in other languages?

Jazz is a purely American form of music. With one exception. In the 1930s, Hungarian guitarist Django Reinhardt created a unique form of jazz – Gypsy Swing – that mixed traditional Eastern European music with an American beat. In this episode, Gypsy Jazz violinist Tony Ballog introduces us to the music of Django Reinhardt and Gypsy Swing.

In the 1930s, two types of American music, the rural Country/Western and the urban Swing Jazz, were combined to create Western Swing, a popular type of music that crossed racial boundaries. In this episode we’ll learn about the roots of Western Swing, and hear the music of its most famous performer, Bob Wills.

“Swing” took over the jazz world in the 1930s and became the music your great-grandparents danced to during World War II. In this episode, modern day Swing performers explain and demonstrate where Swing Jazz came from, why it was so popular, and where you can find it today.

There’s a question every good jazz musician can answer just by listening to a song: “Does it Swing?” In this episode, we introduce several kinds of vintage and modern swing music: Swing Jazz, Western Swing, Gypsy Swing, and New Jack Swing and learn what music needs to have in order to “Swing.”

Arriving at the final stop on our tour, let’s look back at all the composers we’ve met and recall the music we’ve heard. In this episode, we’ll listen to excerpts from the concert program, and you will use what you learned about pitch, rhythm, mood and dynamics to tell us what you think each composer was trying to say. If you’ve enjoyed this podcast, please be sure to let us know, and try our other classical music podcasts, like Classical Music in America, or Beethoven Rocks!

Kitchen cabinets? A plastic bag? A baking sheet? Using everyday objects found around your house, learn how to make spooky sound effects for your very own Halloween radio show!

In the furthest destination in our journey, we travel to Russia. Dmitri Shostakovich used his music to paint a picture of his war-torn homeland. His Symphony No. 10 recalls his memories of the tanks and soldiers, and he composed music that sounded as if you were living through a war. Examine what happens when sound changes its dynamic (from soft to loud--and from loud to louder) while listening to Shostakovich's Symphony No. 10. Our journey's not over yet!

Everyone knows what it feels like to be sad, but what if you wanted to write music that expressed emotions without using words? On this stop in our tour, we’ll listen how Benjamin Britten used melodies sketched in his childhood notebooks to capture emotion in the “Sentimental Saraband” from his Simple Symphony. The final stop on out tour is Russia. Better bring a jacket!

From old-time radio to movies and video games, sound, and the use of sound effects, can play a huge role in helping bring stories to life. In this episode, we’ll examine how sound is used to tell stories, and create our own old-time radio show, without ever leaving the house.

Moving on to Norway in our tour, we meet composer Edvard Grieg. Grieg’s challenge was to write music that told a clear story without using any words. Listen as he uses music to help the hero of his story, Peer Gynt, escape from mountain trolls. Next stop, England.

In this episode, meet award-winning Documentary Composer Lenny Williams, a classically trained musician who is as at home in the pit orchastra of the Kennedy Center as he is in a jazz club with DC go-go legend Chuck Brown. Listen as Lenny scores two documentary television scenes, and learn the musical difference between a lion chase and a jellyfish attack!

For such a small country, Austria has had a huge impact on European culture and on classical music. On this stop of our tour, we'll hear how Wolfgang Amadeus Mozart used pitch in his Symphony no. 29. In the next episode, we'll be off to Norway!