New Books In Islamic Studies

The Kaʿba is the famous cuboid structure at the center of the Great Mosque in Mecca. In his book The Kaʿba Orientations: Readings in Islam's Ancient House (Edinburgh University Press, 2020), Simon O'Meara (SOAS) looks at the way Muslims from the beginnings of Islam to the 18th century engaged with the existence of such a structure, as a location, as an architectural object, as a direction, as a focus of devotion and prayer. He studies both material and visual as well as literary engagements through which Muslims pilgrims and scholars interpreted their own place in the world in relation to a location held to be the world's axis, and the consequences from a religious and psychological perspective of the often fraught and violent history of the built structure itself, its uses, and the emotional connection that millions of Muslims continue to feel towards it to this day. Miguel Monteiro is a PhD student in Near Eastern Languages and Civilizations at Yale University. Twitter @anphph Learn more about your ad choic

Islam's contributions to the natural sciences has long been recognized within the Euro-American academy, however, such studies tend to include one of a number of narrative tropes, either emphasizing the "Golden Age" model, focusing on scientific productions in Baghdad and other centers around the first millennium CE; emphasizing Islam's role in transmitting and preserving Greco-Roman learning, and enabling it to be re-translated into Latin around the time of the Renaissance; and the vast majority suggest that the majority of Islamic scientific output came to a halt around toward the end 16th century. In Revealed Sciences: The Natural Sciences in Islam in Seventeenth-Century Morocco (Cambridge UP, 2021), Justin K. Stearns argues that there is ample evidence that scientific production continued apace, if, in fact, we know where to look for it. Demonstrating the vibrancy of seventeenth century Morocco, Revealed Sciences examines how science flourished during this period, albeit in a different manner than that of

Nada Moumtaz’s God’s Property: Islam, Charity, and the Modern State (University of California Press, 2021) is an ethnography anchored in deep study of the Muslim scholarly tradition, the urban landscape, and Lebanon across the Ottoman, Mandate, and post-independence periods. At the center of the book is the waqf, often translated as “pious endowment.” An act and a practice exhibiting or embodying both change and stability since the nineteenth century, the waqf allows Moumtaz to reinterpret major categories in anthropology, Islamic legal studies, and history, including charity, family, the economy, the public and private, and the state. This is the second New Books Network interview devoted to this much-anticipated book, a careful, wide-ranging, and ambitious work poised to influence conversations in multiple disciplines. Interviewers: Janna Aladdin and Julian Weideman. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supporti

Dr. Emily Greble, Associate Professor of History at Vanderbilt University, is the author of Muslims and the Making of Modern Europe (Oxford University Press, 2021). Focusing on the Muslim inhabitants of the Austro-Hungarian Bosnia and Herzegovina, Montenegro, Serbia, and later Yugoslavia, as they repeatedly adjusted to shifting borders and modern state building projects between the 1870s and the 1940s, Dr. Greble shows how Ottoman political, legal, economic, and social legacies shaped post Ottoman successor states, and how ordinary Balkan Muslims understood, negotiated, and reworked the rapidly changing ideological landscapes into which the late nineteenth century had thrown them. The book forcefully argues that modern European constructs of law, national minority, and public education developed in a distinct Christian context. By recovering the Balkan Muslims’ struggle to define the role of Islam in their new, nationalizing states and societies, the book sheds new light on the historical dynamics of modern c

In her scintillating new book, The Beauty of the Houri: Heavenly Virgins, Feminine Ideals (Oxford UP, 2021), Nerina Rustomji presents a fascinating and multilayered intellectual and cultural history of the category of the “Houri” and the multiple ideological projects in which it has been inserted over time and space. Nimbly moving between a vast range of discursive theaters including Western Islamophobic representations of the Houri in the post 9/11 context, early modern and modern French and English Literature, premodern Muslim intellectual traditions, and popular preachers on the internet, Rustomji shows the complexity of this category and its unavailability for a canonical definition. The Beauty of the Houri is intellectual history at its best that combines philological rigor with astute theoretical reflection. And all this Rustomji accomplishes in prose the delightfulness of which competes fiercely with its lucidity. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall Coll

Apocalypse Then: The First Crusade is based on an in-depth filmed conversation between Howard Burton and Jay Rubenstein, Professor of History and Director of the Center for the Premodern World at the University of Southern California, and provides us with fascinating insights into medieval society. How did the First Crusade happen? What could have suddenly caused tens of thousands of knights, commoners and even nuns at the end of the 11th century to leave their normal lives behind and trek thousands of miles across hostile territory in an unprecedented vicious and bloody quest to wrest Jerusalem from its occupying powers? Jay Rubenstein, historian of the intellectual, cultural, and spiritual worlds of Europe in the Middle Ages, carefully explores those questions based on his extensive research while discussing the Apocalypse: the crusaders’ sincere belief that the end of the world was approaching and their opportunity to participate in the last stage of the divine plan. Howard Burton is the founder of the Ide

The construction of collective identity among the Muridiyya abroad is a communal but contested endeavor. Differing conceptions of what should be the mission of Muridiyya institutions in the diaspora reveal disciples’ conflicting politics and challenge the notion of the order’s homogeneity. While some insist on the universal dimension of Ahmadu Bamba Mbakke’s calling and emphasize dawa (proselytizing), others prioritize preserving Muridiyya identity abroad by consolidating the linkages with the leadership in Senegal. Diasporic reimaginings of the Muridiyya abroad, in turn, inspire cultural reconfigurations at home. Drawing from a wide array of oral and archival sources in multiple languages collected in five countries, The Muridiyya on the Move: Islam, Migration, and Place Making (Ohio UP, 2021) reconstructs over half a century of the order’s history, focusing on mobility and cultural transformations in urban settings. In this groundbreaking work, Babou highlights the importance of the dahira (urban prayer cir

Countering the traditional narrative of "migration as crisis," Global Nomads tells the story of a group of people for whom migration is not a symptom of a disordered world, but rather an ordinary practice full of social and personal meaning. Decentering migration from North America and Europe, this ethnography explores how ethnic Fulbe people in the West African Republic of Guinea migrate abroad to seek their fortunes and fulfill their responsibilities--and in the process, securing a place at home.  Based on twenty-three months of ethnographic research, Global Nomads: An Ethnography of Migration, Islam, and Politics in West Africa (Oxford UP, 2020) investigates how mobility abroad shapes belonging at home and shows that political and economic motivations to migrate are important in Guinea, as elsewhere--but they are only part of the story. Family and community expectations, cultural ideals of work, notions of gender, and religious piety all come into play when people dream of going abroad and when they contem

Muslim South Asia is widely characterized as a culture that idealizes female anonymity: women's bodies are veiled and their voices silenced. Challenging these perceptions, Siobhan Lambert-Hurley, University of Sheffield, highlights an elusive strand of autobiographical writing dating back several centuries that offers a new lens through which to study notions of selfhood. In Elusive Lives: Gender, Autobiography, and the Self in Muslim South Asia (Stanford University Press, 2018), she locates the voices of Muslim women who rejected taboos against women speaking out, by telling their life stories in written autobiography.  To chart patterns across time and space, materials dated from the sixteenth century to the present are drawn from across South Asia – including present-day India, Pakistan and Bangladesh. Lambert-Hurley uses many rare autobiographical texts in a wide array of languages to elaborate a theoretical model for gender, autobiography, and the self beyond the usual Euro-American frame. In doing so, s

The image of the Ottoman Turks and their interaction with the Christian West, has undergone many changes in the past: from William Gladstone's famous comment that: “[The Turks] one and all, bag and baggage, shall, I hope, clear out from the province they have desolated and profaned.” To the more recent revisionist views of the 'cultural exchange' school, who de-emphasize the military conquest, endemic violence and proto-ethnic cleansing that were in fact part and parcel of Ottoman rule in the Balkans and elsewhere. And, instead emphasize cultural interaction between the Christian West and the Muslim East.  In his new book The Last Muslim Conquest: The Ottoman Empire and Its Wars in Europe (Princeton UP, 2021), Ottoman specialist, Professor Gabor Agoston, of Georgetown University, goes beyond both of the above schools, in a post-revisionist treatment which while not ignoring some aspects of the 'cultural exchange' school, retains the correct emphasize on Ottoman Turk policies of military conquest, violence and

Social and political conditions, in association with the self, can hardly be explained by one factor. Instead, they are shaped by several factors in diverse, mutually influencing ways. This is the essence of intersectionality, a concept that helps us understand the complexity of the human experience. In the third episode of our new themed series Across the Rainbow, catch us in discussion with Dr. Shanon Shah, Visiting Research Fellow in Theology and Religious Studies at King’s College, London, and author of the article “Ethnicity, Gender and Class in the Experiences of Gay Muslims”. Drawing from the well of personal experience, Dr. Shah delves into the ways in which multiple axes of social division, such as religion, ethnicity, gender, and class, interact differently in Malaysia, where Islam is the majority and official religion, and in Britain, where it is a minority religion, to produce varied outcomes for gay Muslim men and women in both countries. Learn more about your ad choices. Visit megaphone.fm/adcho

In Islam and the Devotional Object: Seeing Religion in Egypt and Syria (Cambridge University Press, 2020), Richard J. A. McGregor, Associate Professor at Vanderbilt University, offers a history of Islamic practice through the aesthetic reception of medieval religious objects. Elaborate parades in Cairo and Damascus included decorated objects of great value, destined for Mecca and Medina. Among these were the precious dress sewn yearly for the Ka'ba, and large colorful sedans mounted on camels, which mysteriously completed the Hajj without carrying a single passenger. Along with the brisk trade in Islamic relics, these objects and the variety of contested meanings attached to them, constituted material practices of religion that persisted into the colonial era, but were suppressed in the twentieth century. McGregor here recovers the biographies of religious objects, including relics, banners, public texts, and coverings for the Ka'ba. Reconstructing the premodern visual culture of Islamic Egypt and Syria, he f

Mirjam Lücking's Indonesians and Their Arab World: Guided Mobility Among Labor Migrants and Mecca Pilgrims (Southeast Asia Program Publications, 2021) explores the ways contemporary Indonesians understand their relationship to the Arab world. Despite being home to the largest Muslim population in the world, Indonesia exists on the periphery of an Islamic world centered around the Arabian Peninsula. Mirjam Lücking approaches the problem of interpreting the current conservative turn in Indonesian Islam by considering the ways personal relationships, public discourse, and matters of religious self-understanding guide two groups of Indonesians who actually travel to the Arabian Peninsula--labor migrants and Mecca pilgrims--in becoming physically mobile and making their mobility meaningful. This concept, which Lücking calls guided mobility, reveals that changes in Indonesian Islamic traditions are grounded in domestic social constellations and calls claims of outward Arab influence in Indonesia into question. With

Believing in South Central: Everyday Islam in the City of Angels (University of Chicago Press, 2021) by Pamela J. Prickett is an ethnographic study of an African American Muslim community in South Central Los Angeles. The accessible study follows the believers of Masjid al-Quran (MAQ) as they live their Islam in and around the mosque community, such as during prayers or Ramadan, but also while conducting business or interacting with one another. Masjid al-Quran’s institutional history dates back to the Nation of Islam, which then later transitioned to Sunni Islam through the leadership of W. D. Mohammad. MAQ is also located in South Central, a community that has changed demographically and socio-economically overtime. Embedded in this complex urban geography, Prickett's study masterfully illuminates the deep entanglements of class, race, and gender in the defining of faith and ritual for members of MAQ. The study interrogates tenuous realities of giving and receiving charity, the intricate agentic Muslim expr

In her phenomenal new book God’s Property: Islam, Charity, and the Modern State (U California Press, 2021), Nada Moumtaz charts the historical continuities and disjunctures as well contemporary paradoxes shadowing the intellectual and sociological career of waqf or Islamic charity/endowment in modern Lebanon. Nimbly moving between layered textual analysis, riveting ethnography, and formidable historical inquiry, Moumtaz demonstrates the secularization and sectarianization of waqf in Lebanon premised on the attempted state separation between the spheres of the public/private and religion/economy. While exploring the workings of waqf historically, intellectually, and as part of everyday life with meticulous detail, Moumtaz constantly connects the details of her study to its broader argument centered on critiquing the secular promise of separating religion and economy as distinct domains of life. This beautifully written book will be widely read and taught in multiple disciplines including anthropology, Religion

In his painstakingly researched and splendid new book Sculpting the Self: Islam, Selfhood, and Human Flourishing (U Michigan Press, 2021), Muhammad Faruque charts and examines the multiplicity of ways in which the self and its moral flourishing have been discussed, debated, and examined in the Muslim intellectual tradition. The remarkable aspect of this book though is that he does so in close and extensive conversation with understandings of the self in Western philosophy, Indic thought, and even neuroscience. Philosophically dense but yet eminently accessible, this book is a landmark publication in the fields of Islamic Studies and the study of religion more broadly. SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize 

In 1937, Shaykh Ibrahim Niasse, travelling to Mecca to make his first hajj, encountered Egyptian scholars who couldn’t fathom that Niasse’s erudition was a product of his fully Senegalese education. For those learned Egyptians of the 1930s and, Kane argues, modern-day Europhone academics, Islamic erudition among Black Africans remains a major blind spot. Islamic Scholarship in Africa: New Directions and Global Contexts, edited by Ousmane Oumar Kane, presents a state-of-the-art volume that seeks to pulverize that blind spot. Authors underscore the contributions of Black Muslim scholars to Islamic knowledge, the global connections that have long tied sub-Saharan Africa to the global Islamic world, the ways that orality and textuality interact with each other historically and up through to the social media age, in addition to exploring debates around education, spirituality, and Ajami. In the interview, we discuss Kane’s scholarly journey and the greater intellectual project of bridging the knowledge divide sepa

Western Jihadism: A Thirty Year History (Oxford University Press, 2021) tells the story of how Al Qaeda grew in the West. In forensic and compelling detail, Jytte Klausen traces how Islamist revolutionaries exiled in Europe and North America in the 1990s helped create and control one of the world's most impactful terrorist movements--and how, after the near-obliteration of the organization during the aftermath of the 9/11 attacks, they helped build it again. She shows how the diffusion of Islamist terrorism to Europe and North America has been driven, not by local grievances of Western Muslims, but by the strategic priorities of the international Salafi-jihadist revolutionary movement. That movement has adapted to Western repertoires of protest: agitating for armed insurrection and religious revivalism in the name of a warped version of Islam. The jihadists-Al Qaeda and the Islamic State, and their many affiliates and associates--also proved to be amazingly resilient. Again and again, the movement recovered f

Throughout its history, Nigeria has been plagued by religious divisions. Tensions have only intensified since the restoration of democracy in 1999, with the divide between Christian south and Muslim north playing a central role in the country's electoral politics, as well as manifesting itself in the religious warfare waged by Boko Haram. Through the lens of Christian–Muslim struggles for supremacy, Ebenezer Obadare charts the turbulent course of democracy in the Nigerian Fourth Republic, exploring the key role religion has played in ordering society. In Pentecostal Republic: Religion and the Struggle for State Power in Nigeria (Zed Books, 2018), he argues the rise of Pentecostalism is a force focused on appropriating state power, transforming the dynamics of the country and acting to demobilize civil society, further providing a trigger for Muslim revivalism. Covering events of recent decades to the election of Buhari, Pentecostal Republic shows that religio-political contestations have become integral to Ni

Kristian Petersen’s new edited volume Muslims in the Movies: A Global Anthology (Ilex Foundation and Harvard University Press, 2021), introduces the subject of Muslims and film. The volume contains nineteen chapters that engage a range of film industries, including Hollywood and Bollywood, but also movies from the Philippines, Indonesia, Nigeria, Italy, Australia, Saudi Arabia, and much more. This collection challenges its readers to taking seriously the complex ways in Muslims are represented in films throughout the globe, be it through a close analysis of a film, such as Wajda, or films about North American Muslims, such as Malcolm X or Muhammad Ali. In other instances, authors guide the readers through accessible analysis of particular Muslims in movies and cinematography, which lead to discussions of islamophobia, diaspora politics, issues of gender and sexuality, identity politics and much more. The overall study then welcomes viewers to rethink the ways in which films can be studied as a critical text a