New Books In Dance

The idea that women are dangerous - individually or collectively - runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today. The Art of Being Dangerous: Exploring Women and Danger through Creative Expression (Leuven UP, 2021) offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what it means to be a dangerous woman. With almost 100 evocative images, this collection showcases an array of contemporary art that highlights the staggering breadth of talent among today's female artists. It offers an unparalleled gallery of feminist creativity, ranging from emerging visual artists from the UK to multi-award-winning writers and translators from the Global South. This book emerges from the Dangerous Women Project. For more informati

Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities.  Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Part 2 looks at the many instances of inversion and transgression, looking at how characters cross boundaries of gender, status, and social role, and how they are punished or rewarded. Professor Emma Smith looks closely at the final scene and how it settles—or doesn’t— the characters’ roles and the play’s own status as a comedy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The history of race in American theater is more complicated than you might think, writes Dr. Josephine Lee in Oriental, Black, and White: The Formation of Racial Habits in American Theater (UNC Press, 2022). Dr. Lee, a professor of English and Asian American Studies at the University of Minnesota, examines the linked histories of orientalism, Blackface and Yellowface, in nineteenth and early twentieth century American theater, showing how identity creation and racialization occurred among multiple groups simultaneously. Within the context of large scale East Asian immigration to the West coast, labor debates, and American empire building. Theaters, both on the East and West coasts, and touring Black and white theater companies, thus both reflected and shaped American ideas about race and belonging throughout this time period. A fascinating and complex look at how Americans tried to make sense of their world, Lee asks readers to look beyond easy answers and assumptions, and look at American theater in a new wa

How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys’ love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third’ Space: The Counterculture of Chinese Boys’ Love Audio Dramas. Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi’an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com. Vict

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, o

Dr. Richard Waugaman is an emeritus supervising and training analyst at the Washington Baltimore Center for Psychoanalysis. He is also a well-respected author. With regard to his career he has said, “I have practiced clinical psychoanalysis for over 40 years. Initially, my publications were mostly on psychoanalysis.” In 2002, he made a discovery when he learned that the traditional theory about who wrote Shakespeare is faith-based, not evidence-based. As he plunged deeply into primary research on this exciting topic, he learned that the Geneva Bible owned by the Earl of Oxford, now at the Folger Shakespeare Library, has marginalia and under-linings that Roger Stritmatter shows correspond closely with biblical echoes in Shakespeare. He then researched the Whole Book of Psalms and discovered it was the largest Psalms literary source for Shakespeare. He has also published evidence that many other Elizabethan works were also written by the Earl of Oxford anonymously, using pen names, or allonyms. Now he has contr

Digging My Own Grave: The Films of Caveh Zahedi (Factory 25, 2015) is the most comprehensive collection of filmmaker Caveh Zahedi possible with 36 films including: A Little Stiff, I Don’t Hate Las Vegas Anymore, In the Bathtub of the World, Tripping with Caveh, I Am a Sex Addict, and The Sheik and I. Writings by Bill Brown, Arnold Barkus, Greg Watkins, Thomas Logoreci, Alison Bechdel, Amanda Field, Richard Clark, Britta Sjorgren, Matthew L. Weiss, Jay Duplass, Lena Dunham, Akira Lippitt, Don Lennon, Josh Safdie, Jay Rosenblatt, and Caveh Zahedi. Caveh Zahedi is an independent filmmaker and Assistant Professor of Screen Studies at the New School. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Twelfth Night, named for the celebration that is both the culmination and the close of the Christmas festivities, is a bittersweet romantic comedy at once melancholy and merry. Through its central plot, in which the female Viola takes on the guise of the male Cesario and becomes beloved of both men and women, this play is also one of Shakespeare’s most modern approaches to identity and sexuality. In this course, you’ll learn the story and context of Twelfth Night, explore the questions it raises around genre and gender, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 1, you’ll be guided through a detailed account of the story with commentary by Emma Smith, Professor of Shakespeare Studies at the University of Oxford. Professor Smith offers key historical context for understanding the wide variety of relationships depicted in the play. This summary is told using the language of the play itself, placing key quotations in context to help

Who was Harry Smith? Was he an anthropologist, a filmmaker, a painter? Was he a charlatan? A genius? Was he a moocher, a schmuck, a bum? As John Szwed's Cosmic Scholar: The Life and Times of Harry Smith (FSG, 2023) reveals, Smith was all of these and more. Best known for editing The Anthology of American Folk Music, Smith was also a pioneer in experimental film who Jonas Mekas considered one of the leading lights of the New American Cinema. He created paintings that attempted to transcribe bebop recordings. He acted as mysticism consultant on the 1967 effort to levitate the Pentagon. But he also spent years living in poverty, in SROs, at the Chelsea Hotel, or at the apartments of famous friends like Allen Ginsberg. The story of Harry Smith is thus also a story of a vanished New York Bohemia that mixed high and low, the street and the gallery, the Bowery and MOMA, to create one of the most remarkable outpourings of cultural production this country has even seen. And Smith was at the center of it all. Andy Boyd

Art of Transition: The Field of Art in Post-Soviet Russia (Routledge, 2022) investigates contemporary art in Russia since the end of the Soviet Union. By drawing on historical and ethnographic research, this study examines the challenges faced by Russian artists in building a field of art as their society underwent rapid and significant economic, political, and social transformation. In doing so, the book constructs a genealogy of the contemporary field of post-socialist art, and illuminates how Russians have come to understand themselves and their place in the world. Elise Herrala is a Visiting Assistant Professor of Sociology at Haverford College. She is a sociologist of art and culture, and her research examines the dynamics of cultural production, and in particular the ways in which culture functions to reproduce inequality. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming

In A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood (University of California Press, 2023), Diana W. Anselmo queers the earliest development of the "fangirl." Gathering an unexplored archive of fan-made scrapbooks, letters, diaries, and photographs, A Queer Way of Feeling explores how, in the 1910s, girls coming of age in the United States used cinema to forge a foundational language of female nonconformity, intimacy, and kinship. Pasting cross-dressed photos on personal scrapbooks and making love to movie actresses in epistolary writing, adolescent girls from all walks of life stitched together established homoerotic conventions with an emergent syntax of film stardom to make sense of mental states, actions, and proclivities self-described as "queer" or "different from the norm." Material testimonies of a forgotten audience, these autobiographical artifacts show how early movie-loving girls engendered terminologies, communities, and creative practices that would become cornerstones

While there is little doubt that women were active participants in medieval musical culture, their role has nevertheless been variously obfuscated, undermined, and overlooked, in large part because of the relative absence of named women composers. Work from recent decades has sought to re-insert women into our music-historical narratives, often by broadening their scopes and shifting away from strictly author-focused surveys.  Female-Voice Song and Women's Musical Agency in the Middle Ages (Brill, 2022) brings together seventeen essays, each of which newly identifies contributions to musical culture made by women before 1500 across Europe. Encompassing not only medieval French, English, and Italian culture, but also stretching to Iceland and the Islamicite courts, this volume speaks to the various ways in which we can hear women’s voices through history. Prof. Lisa Colton and Dr. Anna Kathryn Grau jointly edited this collection, in addition to contributing chapters to it. In this episode, they speak with Áine

Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted new ways of imagining sound, the body, and personhood.  Connecting sometimes bizarre snippets of history, this multi-disciplinary book moves backward and forward in time, deliberately troubling the meaning of concepts like “technology” and “human.” Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds (U Chicago Press, 2023) attends to the ways that early modern encounters and inventions—including settler colonialism, emergent racialized worldvie

Across Europe, from the dawn of print until the early twentieth century, the news of crime and criminals' public executions was printed in song form on cheap broadsides and pamphlets to be sold in streets and marketplaces by ballad-singers. Singing the News of Death: Execution Ballads in Europe 1500-1900 (Oxford UP, 2022) looks at how and why song was employed across Europe for centuries as a vehicle for broadcasting news about crime and executions, exploring how this performative medium could frame and mediate the message of punishment and repentance. Examining ballads in English, French, Dutch, German, and Italian across four centuries, author Una McIlvenna offers the first multilingual and longue durée study of the complex and fascinating phenomenon of popular songs about brutal public death. Ballads were frequently written in the first-person voice, and often purported to be the last words, confession or 'dying speech' of the condemned criminal, yet were ironically on sale the day of the execution itself.

The Grateful Dead were one of the most successful live acts of the rock era. Performing over 2300 shows between 1965 and 1995, the Grateful Dead’s reputation as a “live band” was—and continues to be—sustained by thousands of live concert recordings from every era of the group’s long and colorful career.  In Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness (Duke UP, 2023), musicologist John Brackett examines how live recordings—from the group’s official releases to fan-produced tapes, bootlegs to “Betty Boards,” and Dick’s Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for over fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of “liveness,” authenticity, and the power of rec

Hamid Keshmirshekan's book The Art of Iran in the Twentieth and Twenty-First Centuries: Tracing the Modern and the Contemporary (Edinburgh UP, 2023) deals with the exploration and theorization of Modern and Contemporary art of Iran through the examination of art movements and artistic practices in relation to other cultural, social and political discourses during the twentieth and twenty-first centuries. It focuses on discourses and their impact on art movements and practices and aims to selectively explore certain prevailing debates in action during this time. To come to grips with the way that artistic trends in Iran can be traced within the intellectual and political landscape of the country mainly from the 1940s to the present, Keshmirshekan articulates new ideas for relating art to its wider context--whether social, cultural or political--and to bring together critical and historical evidence in order to provide an insight into current artistic concerns. The book explores these underlying themes and disc

K-pop Dance: Fandoming Yourself on Social Media (Routledge, 2022) is about K-pop dance and the evolution and presence of its dance fandom on social media. Based on five years of ethnographic fieldwork, interviews, choreography, and participation-observation with 40 amateur and professional K-pop dancers in New York, California, and Seoul, the book traces the evolution of K-pop dance from the 1980s to the 2020s and explains its distinctive feature called ‘gestural point choreography’ – front-driven, two-dimensional, decorative and charming movements of the upper body and face – as an example of what the author theorizes as ‘social media dance.’ It also explores K-pop cover dance as a form of intercultural performance, suggesting that, by imitating and idolizing K-pop dance, fans are eventually ‘fandoming’ themselves and their bodies. Presenting an ethnographic study of K-pop dance and its fandom, this book will be a valuable resource for students and scholars of Media Studies, Korean Studies, Performance Studi

In Part 3, Professor Stephen Greenblatt offers close-readings of some of the play’s most significant scenes. You’ll get an in-depth look at the powerful relationship between Antonio and Bassanio, the climactic confrontation between Antonio and Shylock in the court, and the hard-edged poignancy of the play’s most famous speech: “Hath not a Jew eyes?” Speeches and performers: Antonio, 1.1, “I pray you, good Bassanio, let me know it …” (Scott Ripley) Shylock, 3.1, “He hath disgraced me …” (Ray Dooley) Portia, Antonio, and Shylock, 4.1, “Tarry a little …” (Katy Stephens) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Vanessa I. Corredera’s book Reanimating Shakespeare's Othello in Post-Racial America (Edinburgh Univeristy Press, 2022) looks at how that seventeenth-century play and its protagonist was imagined in theatre, television, and other media between 2008 and 2016. Corredera’s analysis ranges from the sketch comedy Key & Peele to Keith Hamilton Cobb’s play American Moor, from ever-persistent tradition of minstrel Othello to the reimagining of Shakespeare’s play by writers of color. Bringing together examples of cultural texts that perpetuate anti-black racism and other artifacts that offer anti-racist possibilities, Corredera’s book helps us to understand this recent moment in U.S. history. At times, to quote Reanimating Shakespeare’s Othello in Post-Racial America, creators like Serial’s Sarah Koenig “have operationalize[d] what this book demonstrates is in fact the common Othello narrative without truly thinking about its force, wielding Shakespearean authority without any regard as to the potentially subjugating