Bay Area Sound Ecology » Base Podcast Feed

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Synopsis

soundscape and acoustic ecology in the san francisco bay area

Episodes

  • BASEbot 005 – Cheryl Leonard’s Antarctic Sound and Music (sound recording)

    03/01/2011 Duration: 01h28min

    In 2009, Composer, performer, improviser, recordist and instrument builder Cheryl Leonard travelled to Palmer Station, Antarctica in search of sounds and music.  She returned with a wealth of recordings, stories, and materials for building musical instruments.  Cheryl shared her work at BASEbot on Feb 21, 2010. In her own words, Cheryl “creates experimental music using amplified […]

  • BASEbot 004 – Gordon Hempton (sound recording)

    20/07/2009 Duration: 01h17min

    Nature sound recordist Gordon Hempton shares some of his beautiful recordings, and discusses his One Square Inch of Silence project, including his recent book.

  • BASEbot 003 – James LeBrecht [sound recording]

    14/07/2009 Duration: 01h14min

    Sound Designer James LeBrecht shares a few of his most favorite and most personally meaningful sound recordings. Here’s the setup:  Jim is sitting in the center of Dan Dugan’s control panel, with Pro Tools behind him and faders for a quadrophonic monitoring system.  On and off, he talks and plays sounds which he’s gathered for […]

  • BASE Radio: Soundscapes Real and Imagined from the San Francisco Bay Area

    01/03/2009 Duration: 02h00s

    Soundscapes Real and Imagined from the San Francisco Bay Area – A two-hour mix of soundscape recordings and compositions native to the San Francisco Bay Area. A 2-hour sound collage for radio hosted by Jeremiah Moore and Aaron Ximm Orignally broadcast February 22, 2009 on free103point9.org, an episode of Giant Ear, the radio voice of […]

  • BASEbot 002 – Andrew Roth [sound recording]

    31/01/2008 Duration: 01h05min

    Audio: Stories and sounds from Andrew Roth's forthcoming Natural Sounds of Japan

  • BASEbot 001 – Chris Watson [sound recording]

    30/11/2007 Duration: 01h09min

    An hour-long lecture in two parts from field recordist Chris Watson. Part One defines a personal ontology for recordings. Part Two features an in-depth account of recent work with four-channel surround sound hydrophone recording.