Bay Area Sound Ecology » Base Podcast Feed
- Author: Vários
- Narrator: Vários
- Publisher: Podcast
- Duration: 8:16:16
- More information
Informações:
Synopsis
soundscape and acoustic ecology in the san francisco bay area
Episodes
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BASEbot 005 – Cheryl Leonard’s Antarctic Sound and Music (sound recording)
03/01/2011 Duration: 01h28minIn 2009, Composer, performer, improviser, recordist and instrument builder Cheryl Leonard travelled to Palmer Station, Antarctica in search of sounds and music. She returned with a wealth of recordings, stories, and materials for building musical instruments. Cheryl shared her work at BASEbot on Feb 21, 2010. In her own words, Cheryl “creates experimental music using amplified […]
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BASEbot 004 – Gordon Hempton (sound recording)
20/07/2009 Duration: 01h17minNature sound recordist Gordon Hempton shares some of his beautiful recordings, and discusses his One Square Inch of Silence project, including his recent book.
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BASEbot 003 – James LeBrecht [sound recording]
14/07/2009 Duration: 01h14minSound Designer James LeBrecht shares a few of his most favorite and most personally meaningful sound recordings. Here’s the setup: Jim is sitting in the center of Dan Dugan’s control panel, with Pro Tools behind him and faders for a quadrophonic monitoring system. On and off, he talks and plays sounds which he’s gathered for […]
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BASE Radio: Soundscapes Real and Imagined from the San Francisco Bay Area
01/03/2009 Duration: 02h00sSoundscapes Real and Imagined from the San Francisco Bay Area – A two-hour mix of soundscape recordings and compositions native to the San Francisco Bay Area. A 2-hour sound collage for radio hosted by Jeremiah Moore and Aaron Ximm Orignally broadcast February 22, 2009 on free103point9.org, an episode of Giant Ear, the radio voice of […]
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BASEbot 002 – Andrew Roth [sound recording]
31/01/2008 Duration: 01h05minAudio: Stories and sounds from Andrew Roth's forthcoming Natural Sounds of Japan
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BASEbot 001 – Chris Watson [sound recording]
30/11/2007 Duration: 01h09minAn hour-long lecture in two parts from field recordist Chris Watson. Part One defines a personal ontology for recordings. Part Two features an in-depth account of recent work with four-channel surround sound hydrophone recording.