Supercontext: An Autopsy Of Media

This 1957 Japanese samurai film is a postwar adaptation of Shakespeare's MacBeth, but we learned that it's also tapping into historical theatrical techniques and criticisms of nationalistic self-destruction. We turn to other writers and scholars for help unpacking these symbols we don't know much about, while learning just how universal this critically acclaimed movie actually is. Interested in the media we discussed this episode? Please support the show by purchasing it through our affiliate store: Throne of Blood Additional Resources: 1957: When Akira Kurosawa's 'Throne of Blood' Was Ahead of Its Time Parker, B. (1997). Nature and Society in Akira Kurosawa’s “Throne of Blood.” University of Toronto Quarterly, 66(3), 508. Catherine Russell. “Men with swords and men with suits: The cinema of Akira Kurosawa” Cineaste. Winter2002, Vol. 28 Issue 1, p4. 10p. 9 The Chilling Effect of Noh Theater on Akira Kurosawa's 'Throne of Blood' ‘Throne of Blood’: The Value and Meaning of Kurosawa’s Fog-Drenched Masterp