The Kitchen Sisters Present

Filmmaker Wim Wenders talks about his early influences — Cinémathèque Française, Henri Langlois, Lotte Eisner — and tells stories of Werner Herzog and the films that have impacted his work. Ernst Wilhelm “Wim” Wenders, filmmaker, playwright, author, photographer, is a major figure in New German Cinema and global cinema. His films include Paris, Texas, Wings of Desire, The American Friend, Alice in the Cities, Kings of the Road, Buena Vista Social Club, Pope Francis: A Man of His Word, Pina, Until the End of the World, and many more. We were gathering interviews for The Keepers story, Archive Fever: Henri Langlois and the Cinémathèque Française, about one of the earliest and most important film archives in the world, started in Paris in the 1930s, still thriving today. When we dug in to the filmmakers that had been shaped by this archive and its eccentric archivist, along with all of the French New Wave — Truffaut, Godard, etc. — surfaced the name of a filmmaker we have long admired, whose movies open the do