New Books In Islamic Studies

Since the fall of the Indonesian New Order regime in 1998 there has been a steady rise of Islamic popular culture in the nation. Muslim consumers and producers have cultivated a mediated domain where they can encounter commercial entertainment though the prism of spiritual reflection and piety. In Gender and Islam in Indonesian Cinema (Palgrave Macmillan, 2017), Alicia Izharuddin, Women's Studies in Religion Program Research Associate at Harvard Divinity School, explores the development of the Islamic film genre with a specific focus on gender representation. Indonesian cinema throughout the New Order era focused on Muslim characters, both men and women, frequently framing them in nationalistic ideals. But after the record success of 2008’s film, Ayat-Ayat Cinta (Verses of Love), the viewing preferences of Indonesian Muslim audiences were met with a slew of Islamically themed films. These often contained the repetition of formulaic tropes and symbols deemed Islamic in order to sell out the box office. In our