The Paris Review

Robert Frost defines modern poetry in an excerpt from his [Art of Poetry interview](https://urldefense.com/v3/ https://www.theparisreview.org/interviews/4678/the-art-of-poetry-no-2-robert-frost ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9hZ3SP6-g%24); the Italian poet Antonella Anedda discusses her poem “[Historiae 2](https://urldefense.com/v3/ https://theparisreview.org/poetry/7487/historiae-2-antonella-anedda ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9j2rn0NSQ%24)” with her translator Susan Stewart before the American vocal ensemble Tenores de Aterúe re-imagines the poem as a song in the folk tradition of Anedda’s native Sardinia; and Yohanca Delgado reads her story “[The Little Widow from the Capital](https://urldefense.com/v3/ https://theparisreview.org/fiction/7644/the-little-widow-from-the-capital-yohanca-delgado ;!!NUnUjx3wvH5xgA!La9JzfrCxrTLTJC-BUCjhUWQaEI9PUYzjObTI7BHU1X34cu0PG5sG9iWagiT-A%24),” a tale of mystery, heartbreak, and embroidery set