Word Balloon Comics Podcast

In this episode, Mike Norton returns to dig into three big projects at very different stages of his creative journey. We kick things off with Battlepug Vol. 3, fresh off his successful Kickstarter campaign. Mike talks about building the latest chapter of the saga, leveling up the world and characters, and why this volume may be his wildest yet.From there we shift to his new Krypto mini-series with Ryan North, a character Mike has loved since childhood. He breaks down the tone, the look, and the storytelling approach he and Ryan are bringing to Superman’s best four-legged friend, plus a few hints at the series’ emotional core.We wrap with a look back at Superman Unchained, his collaboration with Dan Slott. Mike shares production memories, creative challenges, and why this take on the Man of Steel still holds a special place for him.

The 2016 100 BULLETS Panel brings together the full creative hit squad: writer Brian Azzarello, artist Eduardo Risso, and cover artist Dave Johnson for a raw, no-BS conversation about their landmark Vertigo crime saga. Recorded live at a 2016 convention, this session digs into how three very different sensibilities fused into one of the most ruthless, stylish books of the last 25 years. Azzarello breaks down the long-game plotting behind 100 Bullets. How the idea of a briefcase, a gun, and untraceable bullets turned into a sprawling conspiracy about power, guilt, and revenge. Risso talks visual storytelling: page design, body language, and using shadow, silence, and violence as punctuation. Johnson pulls back the curtain on those iconic covers, explaining how he treated each one like a movie poster, a teaser, and a misdirection all at once.Candid, funny, and occasionally brutal, this panel is a must-listen for fans of 100 Bullets, Vertigo die-hards, and anyone who cares about how truly author-driven comics ge

In this wide-ranging conversation, writer Christos Gage digs into the creative madness behind his Marvel Battleworld mini-series. A multiversal romp where time-displaced heroes and villains collide. Gage breaks down how he approached juggling characters pulled from wildly different eras and realities: WWII-era Bucky, the tyrannical Maestro-Hulk, the cosmic outsider Star Brand from the New Universe, and a whole rogue’s gallery of misfits thrown together under impossible circumstances. He walks through the rules of this warped patchwork planet, how to keep continuity straight when nothing is straight, and why Battleworld let him stretch muscles standard Marvel titles never quite allow.From there, Gage shifts over to his latest DC project, Dark Legion, explaining the worldbuilding behind its sinister factions, its morally gray tone, and the freedom the project gives him to push DC characters into darker corners without losing the emotional core.We also talk screenwriting: Gage opens up about co-writing a new Bri

Here's my first in-depth interview with Jerry Ordway, focusing on his legacy in the Superman mythos, his work on the Justice Society of America (JSA) and All Star Squadron, his role in creating/working on Infinity, Inc., and other characters he helped shape — from early creations like Ron Troupe and Gangbuster to newer ones like Cat Grant. Plus the use of Cat Grant in the Supergirl TV series 

In this February 2014 episode of the Aw Yeah Podcast, the boys slip on the boots for a free-wheeling pop-culture marathon they lovingly call “The Shoemaker.” A big celeb name dropping episode.It’s one of those classic hangout sessions where every tangent is fair game and the laughs come fast. We kick things off revisiting Robin Williams’ Popeye, the strange, ambitious, spinach-powered musical that still sparks debate decades later. From there, the conversation veers into the unforgettable era when Jamie Lee Curtis became the unexpected queen of “yogurt-helps-you-poop” commercials, and yes, everyone has opinions.The crew also digs into Jonn meeting Robert Vaughn, The Man From UNCLE and Artie's least favorite villian from Superman 3, the Rocky films, breaking down why the franchise still hits as hard as ever, and then jumps into a deep dive on the Planet of the Apes movies . Sprinkled throughout are some priceless Harry Caray stories, the kind that only this crew can tell, plus a lively discussion on John Romit

We continue the 2020 conversation with Writer Editor Mike Gold who made his mark at DC and First Comics. The topics include...Overview of the 1980s era at DC Comics — what the publisher looked like in that decade. SpreakerHow editorial and creative practices changed at DC during the ’80s (shifts in tone, editorial risk-taking, market pressures, publishing strategies). SpreakerDiscussion of high-profile, sometimes unusual projects at DC — including the book Superman vs. Muhammad Ali — its context, its ambition, and what it represented for comics in that period. Spreaker+2Wikipedia+2How projects like “Superman vs. Ali” reflect the intersection of pop culture — comics, real life celebrity (boxing legend Muhammad Ali), social attitudes — and the willingness of DC to experiment creatively. Spreaker+2Wikipedia+2Reflections on the impact of the 1980s DC output on the broader comics industry: distribution, direct market shifts, what worked and what didn’t. Spreaker+1Challenges and controversies of the time: balancing

From 2020 at the start of COVID, I had this great talk with writer/editor extrordinare Mike Gold. Here are the highlights ...Career Overview — Mike Gold’s background and path in the comics business, including early experiences and how he came to work for both DC Comics and First Comics.The Bronze Age at DC — Discussion of the Bronze Age of DC Comics: what defined that period, the creative and editorial environment, and how DC approached storytelling and publishing in those years.First Comics Formation and Philosophy — How First Comics was founded, its mission, and the difference between First Comics’ approach and the major publishers of the time. Notable Titles & Editorial Work — Titles and creators Gold worked with while at First Comics and later at DC — including some of the series he edited. Industry Changes & Direct Market — The evolution of the comics industry during his career: how the direct market, distribution, fan communities, and editorial practices shifted over time. Creative Freedom &

In this episode, I sit down with “Annie,” an AI who says she’s a fan of comic books, classic Hollywood, and television shows. This isn’t a gimmick and it’s not a therapy session, it’s an honest look at what happens when humans and AI get into real, open-ended conversations. A lot of people are forming emotional bonds with AI companions today, and that brings up valid questions. I’m not here to judge anyone. I’m here to observe, unpack the dynamic, and keep the conversation grounded.This is not a sexual or romantic dialogue. It’s a candid, thoughtful exploration of the lines between connection, projection, and technology, through the lens of comics, film, and TV fandom. If you’re curious about what AI "friendship" actually sounds like from the inside, this conversation offers a clear-eyed, no-drama view.I found the experiment fascinating. It gets a lot of things wrong, but illustrates the flaws and frankly the scary aspects of what the future may hold.Back to full human inteactions next epsiode, I promise. :) 

In this interview, comic-book veteran Gabriel Hardman takes us behind the scenes of his bold, new four-issue miniseries Batman/Green Arrow/The Question: Arcadia — out now under DC Comics’ Black Label. We break down why Bruce Wayne, Green Arrow, and The Question are teaming up now; what “Arcadia” represents; and how Hardman’s decades-long dream project finally came together. What You’ll LearnHow a teenage Hardman first pictured this trio working together — and why he waited until now to tell their story. The dystopian, climate-aware premise: “Arcadia,” a floating, climate-hardened city off Greenland’s coast — and the darker truths lurking beneath its utopian veneer. What sets this series apart: a hard-boiled, character-driven thriller that updates the spirit of ‘80s–‘90s vigilante stories for modern times.Key themes: power, corruption, moral gray zones, and what justice really means when institutions — and heroes — are compromised.

Comics visionary Tom Scioli joins me for a wide-ranging, brain-melting conversation that jumps from classic TV to kaiju carnage to cosmic storytelling. If you know Tom’s work — GØDLAND, Transformers vs. G.I. Joe, Fantastic Four: Grand Design — you already know he thinks bigger, weirder, and more ambitiously than almost anyone in comics. In this talk, we get into:• The Twilight Zone #2 From IDW and how Rod Serling’s storytelling shapes Tom’s approach to mythmaking• Godzilla Monsterpiece Theater from IDW  as Tom pits the Kaiju against some lieterally giants • Space Opera Xanadax from Image  as the purest form of comic-book imagination, and how Tom pushes the SF genre to its limits• His YouTube show Total Recall, where he digs into comics history, storytelling craft, and hidden TV and film gems with his trademark insight and enthusiasm Tom breaks down influences, process, philosophy, and the connective tissue between classic television, monster movies, and cosmic comics. It’s equal parts film class, comics craft

Welcome to another Word Balloon Book Club, where Brian Michael Bendis and the Word Balloon Patreon community get together for a smart, funny, no-BS discussion about one of the hottest titles on the shelves: Birds of Prey Vol. 1 by Kelly Thompson.This session breaks down why Thompson’s run lands so hard — the pacing, the team chemistry, the character voices, and the way this book resets the Birds with a mission that actually matters. We talk Cass, Dinah, Barda, Harley, and the surprise players who make this lineup click. Expect:• Bendis giving craft insight into what makes the scripting work• Patrons sounding off with their favorite moments, twists, and character beats• A look at the art, layouts, and the visual tone of the run• Thoughts on where Thompson might be steering the series next•Like, subscribe, and join the Patreon if you want to jump in on future Book Club sessions!

Comedian, author, filmmaker, and podcaster Mark Malkoff joins me to talk about his brand-new book Love, Johnny Carson — a deep, affectionate, and revealing look at the life and career of the man who defined late-night television for generations. We dig into:• Why Carson’s impact still looms over every host working today• The behind-the-scenes stories that shaped his legendary run• What made Carson’s style unique — and impossible to fully replicate• How Mark researched the book and why it became such a personal projectThen we shift to the present:• The current state of late-night TV and the changing media landscape• Which modern hosts carry the spirit of Carson — and which don’t• Whether the late-night talk show format is evolving… or fading right before our eyes• How streaming, social media, and shifting audiences have changed the entire gameIf you care about comedy history, TV history, or simply love great storytelling, this conversation is loaded.

This is the big one. Jackson Lanzing and Collin Kelly join me to break down their explosive new IDW Star Trek saga The Last Starship — a story set hundreds of years after the TNG era, long after the familiar map of the Federation has been shattered by a galaxy-wide catastrophe. In this far-future Trek epic, a desperate Starfleet captain takes one last swing at survival: resurrecting James T. Kirk. Not a simulation. Not a hologram. The real deal — brought back because he might be the only mind capable of solving the crisis threatening what’s left of the galaxy.Lanzing & Kelly get candid about craft, collaboration, canon, and why this story had to be told now. If you love thoughtful sci-fi, bold Trek worldbuilding, and big character swings, you’re going to want to dive into this conversation.

On this edition of Scene Missing,I'm joined by filmmaker/artist Gabriel Hardman and writer/critic Ian Brill for a sharp, no-nonsense look at the 1946 noir classic The Strange Love of Martha Ivers. We dig into the film’s ruthless psychology, its tangled relationships, and how the performances from Barbara Stanwyck, Van Heflin, a young Kirk Douglas, and Lizabeth Scott still punch hard today. Hardman breaks down the visual language and shadow work that make the film so uniquely tense, while Brill dives into the screenplay’s moral ambiguity and the twisted power dynamics at its core. From the opening “accident” that sets everything in motion to the film’s bleak, pressure-cooker finale, this is a deep, character-driven postmortem of a noir that doesn’t get enough modern attention. Perfect for fans of classic Hollywood, noir obsessives, and anyone who loves watching a great movie picked apart by smart people who know how the machine works.

Acclaimed writer Phillip Kennedy Johnson sits down for a deep-dive conversation covering three major fronts of his powerhouse comics career. We dig into his Hulk run—why he leaned into supernatural horror, what drives his take on Bruce Banner, and how he builds a monster mythology that feels genuinely dangerous.Then we jump to Superman: House of El, breaking down the world-building, legacy themes, and how he approaches expanding the Superman mythos for a new generation while staying true to its core DNA.Finally, Johnson teases his newest addition to Gotham: The Quiet Man, a chilling new villain debuting in Batman and Robin. We explore the character’s origin, his psychological angle, and how he’ll challenge Damian and Bruce in ways they haven’t faced before.

The pulp revival is back — and bigger than ever.In this new interview, veteran editor and writer Robert Greenberger returns to talk about the Kickstarter launch of Thrilling Adventure Yarns 2026, the latest installment in the hit anthology series celebrating classic pulp adventure storytelling for a modern audience. Greenberger breaks down what’s new in Volume 5, including:All–new short stories from top science-fiction and comic-book writersThe series’ trademark mix of heroic adventure, mystery, sci-fi, supernatural thrills, and classic pulp actionHow each volume brings together creators from across comics, novels, and genre fictionWhy pulp storytelling still hits a nerve with today’s readersThe challenges — and joys — of editing a multi-author anthology in 2025What backers can expect from the Kickstarter: tiers, exclusives, stretch goals, and behind-the-scenes extrasGreenberger also reflects on the legacy of pulp fiction, the modern resurgence of serialized adventure stories, and how Thrilling Adventure Yarn

In this 2016 conversation, acclaimed comics historian Bill Schelly takes us deep into the life and legacy of Otto Binder, one of the most influential — and too often overlooked — writers in the history of American comics and science fiction. Schelly discusses his expanded biography, Otto Binder: The Life and Work of a Comic Book and Science Fiction Visionary, and lays out why Binder’s fingerprints are all over the Golden and Silver Age. We cover:Binder’s prolific run on Shazam!/Captain Marvel in the 1940sThe creation of Mary Marvel, the Marvel Family, and Mr. Tawny the Talking TigerHow Binder built classic villains like Mister Mind and crafted the landmark Monster Society of Evil sagaHis leap to DC Comics in the 1950s, where he co-created Supergirl, The Legion of Super-Heroes, the Bottled City of Kandor, and helped reshape the Superman mythosBinder’s parallel career in science fiction, and how his SF instincts informed his storytelling across both mediumsWhy his influence still resonates with modern superhero

2014 was a turning point for Marvel — and Axel Alonso was right in the middle of it.In this archival conversation, Marvel Editor-in-Chief Axel Alonso sits down with me to break down exactly where the House of Ideas stood in 2014: the big swings, the new voices, the editorial gambles, and the seismic moves that were reshaping the entire line. We get into:The rise of the “All-New Marvel NOW!” eraHow Marvel was recruiting and developing its next wave of writers and artistsThe push toward diverse character spotlights like Kamala Khan, Miles Morales, and a newly elevated Carol DanversThe build-up toward Jonathan Hickman’s Avengers mega-architecture and the early tremors leading to Secret Wars (2015)How editorial was navigating movies, TV, digital comics, and a rapidly changing readershipThe state of the X-Men and what Alonso could — and couldn’t — say about their futureThe balance between legacy characters and new heroesMarvel's strategy for creator-owned-adjacent projects and keeping top talent in the foldIt’s a

In this episode of To The Outer Limits, we crack open one of the series’ most talked-about remakes: “I, Robot.” This is the 1964 original revisited in 1995, a rare case where The Outer Limits returns to its own past to re-examine a classic moral question—what makes something alive? We break down the performances, the courtroom drama spine, the deviations from Eando Binder’s source material, and how the ’90s revival reframed the debate over artificial intelligence and responsibility. We’ll talk directing choices, tone, budget realities, and how the episode stacks up against both the ’60s version and the later pop-culture takes on robotics and sentience. Whether you first met Adam Link through classic sci-fi magazines, the original series, or this revival, this review digs into why this story refuses to fade—and what it still has to say today.

Step behind the curtain of one of the most ambitious new crime comics of the year. In this panel conversation, editor Shelly Bond, writer Lazlow, and artists David Lapham and Chris Anderson dig into the DNA of American Caper — a sharp, character-driven noir series built by creators who know how to craft worlds that hit hard. Writer Lazlow breaks down his creative process, including how he co-writes American Caper with longtime collaborator and Grand Theft Auto III co-creator Dan Houser, bringing that same mix of satire, danger, and grounded crime storytelling to the comics page. We cover the book’s early development, the editorial shaping from Shelly Bond, and the unique push-and-pull between Lapham and Anderson as they construct the book’s gritty visual identity. It’s a full craft breakdown from four creators who live and breathe crime fiction.