Classic Poetry Aloud

Blake read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- London by William Blake (1757 – 1827) I wander thro' each charter'd street, Near where the charter'd Thames does flow And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infants cry of fear, In every voice: in every ban, The mind-forg'd manacles I hear How the Chimney-sweepers cry Every blackning Church appalls, And the hapless Soldiers sigh Runs in blood down Palace walls. But most thro' midnight streets I hear How the youthful Harlots curse Blasts the new-born Infants tear, And blights with plagues the Marriage hearse.

E.Thomas read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- Adelstrop by Edward Thomas ((1878 – 1917) Yes. I remember Adlestrop — The name, because one afternoon Of heat the express-train drew up there Unwontedly. It was late June. The steam hissed. Some one cleared his throat. No one left and no one came On the bare platform. What I saw Was Adlestrop — only the name And willows, willow-herb, and grass, And meadowsweet, and haycocks dry, No whit less still and lonely fair Than the high cloudlets in the sky. And for th

Shakespeare read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Sonnet 29 by William Shakespeare (1564 – 1616) When in disgrace with fortune and men’s eyes I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featur’d like him, like him with friends possess’d, Desiring this man’s art, and that man’s scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee,—and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven’s gate; For thy sweet love remember’d such wealth brings That then I scorn to change my state with kings.

Owen read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Anthem for Doomed Youth by Wilfred Owen (1893 – 1918) What passing-bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles' rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers nor bells; Nor any voice of mourning save the choirs, – The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys but in their eyes Shall shine the holy glimmers of goodbyes. The pallor of girls' brows shall be their pall; Their flowers the tenderness of patient minds, And each slow dusk a drawing-down of blinds.

Byron read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- All for Love by George Gordon, Lord Byron (1788–1824) O talk not to me of a name great in story; The days of our youth are the days of our glory; And the myrtle and ivy of sweet two-and-twenty Are worth all your laurels, though ever so plenty. What are garlands and crowns to the brow that is wrinkled? 'Tis but as a dead flower with May-dew besprinkled: Then away with all such from the head that is hoary - What care I for the wreaths that can only give glory? O Fame! if I e'er took delight in thy praises, 'Twas less for the sake of thy high-sounding phrases, Than to see the bright eyes of the dear one discover She thought that I was not unworthy to love her. There chiefly I sought thee, there only I found thee; Her glance was the best of the rays that surround thee; When it sparkled o'er

Tennyson read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Break, Break, Break by Alfred, Lord Tennyson (1809–1892) Break, break, break, On thy cold grey stones, O Sea! And I would that my tongue could utter The thoughts that arise in me. O well for the fisherman’s boy, That he shouts with his sister at play! O well for the sailor lad, That he sings in his boat on the bay! And the stately ships go on To their haven under the hill; But O for the touch of a vanished hand, And the sound of a voice that is still! Break, break, break, At the foot of thy crags, O Sea! But the tender grace of a day that is dead Will never come back to me.

Elizabeth Barrett Browning read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to the poetry of the past. --------------------------------------------------- How Do I Love Thee? by Elizabeth Barrett Browning (1806–1861) How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace. I love thee to the level of everyday’s Most quiet need, by sun and candle-light. I love thee freely, as men strive for Right; I love thee purely, as they turn from Praise. I love thee with the passion put to use In my old griefs, and with my childhood’s faith. I love thee with a love I seemed to lose With my lost saints,—I love thee with the breath, Smiles, tears, of all my life!—and, if God choose, I shall but love thee better after death.

Shelley read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- from To a Skylark by Percy Bysshe Shelley (1792–1822) HAIL to thee, blithe spirit! Bird thou never wert— That from heaven or near it Pourest thy full heart In profuse strains of unpremeditated art. Higher still and higher From the earth thou springest, Like a cloud of fire; The blue deep thou wingest, And singing still dost soar, and soaring ever singest. In the golden light'ning Of the sunken sun, O'er which clouds are bright'ning, Thou dost float and run, Like an unbodied joy whose race is just begun.

L Hunt read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- Abou ben Adhem by Leigh Hunt (1784 - 1859) Abou ben Adhem (may his tribe increase!) Awoke one night from a deep dream of peace, And saw—within the moonlight in his room, Making it rich and like a lily in bloom— An angel, writing in a book of gold. Exceeding peace had made Ben Adhem bold, And to the presence in the room he said, ‘What writest thou?’—The vision raised its head, And, with a look made of all sweet accord, Answered, ‘The names of those who love the Lord.’ ‘And is mine one?’ said Abou. ‘Nay, not so,’ Replied the angel. Abou spoke more low, But cheerly still, and said, ‘I pray thee, then, Write me as one that loves his fellow men.’ The angel wrote and vanished. The next night It came again with a great wakening light, And showed the names whom love of God had blessed, And lo! Ben

Flecker read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- To a Poet a Thousand Years Hence by James Elroy Flecker I who am dead a thousand years, And wrote this sweet archaic song, Send you my words for messengers The way I shall not pass along. I care not if you bridge the seas, Or ride secure the cruel sky, Or build consummate palaces Of metal or of masonry. But have you wine and music still, And statues and a bright-eyed love, And foolish thoughts of good and ill, And prayers to them who sit above? How shall we conquer? Like a wind That falls at eve our fancies blow, And old Moeonides the blind Said it three thousand years ago. O friend unseen, unborn, unknown, Student of our sweet English tongue, Read out my words at night, alone: I was a poet, I was young. Since I can never see your face, And never shake you by the hand, I send my soul through time a

Brooke read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- The Hill by Rupert Brooke Breathless, we flung us on the windy hill, Laughed in the sun, and kissed the lovely grass. You said, "Through glory and ecstasy we pass; Wind, sun, and earth remain, the birds sing still, When we are old, are old. . . ." "And when we die All's over that is ours; and life burns on Through other lovers, other lips," said I, -- "Heart of my heart, our heaven is now, is won!" "We are Earth's best, that learnt her lesson here. Life is our cry. We have kept the faith!" we said; "We shall go down with unreluctant tread Rose-crowned into the darkness!" . . . Proud we were, And laughed, that had such brave true things to say. -- And then you suddenly cried, and turned away.

Hopkins read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- The Windhover To Christ our Lord by Gerard Manley Hopkins I caught this morning morning’s minion, king- dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding Of the rolling level underneath him steady air, and striding High there, how he rung upon the rein of a wimpling wing In his ecstasy! then off, off forth on swing, As a skate’s heel sweeps smooth on a bow-bend: the hurl and gliding Rebuffed the big wind. My heart in hiding Stirred for a bird,—the achieve of; the mastery of the thing! Brute beauty and valour and act, oh, air, pride, plume, here Buckle! AND the fire that breaks from thee then, a billion Times told lovelier, more dangerous, O my chevalier! No wonder of it: shéer plód makes plough down sillion Shine, and blue-bleak embers, ah my dear, Fall, gall thems

Keats read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- When I Have Fears That I May Cease To Be by John Keats WHEN I have fears that I may cease to be Before my pen has glean'd my teeming brain, Before high pil`d books, in charact'ry, Hold like rich garners the full-ripen'd grain; When I behold, upon the night's starr'd face, Huge cloudy symbols of a high romance, And feel that I may never live to trace Their shadows, with the magic hand of chance; And when I feel, fair creature of an hour! That I shall never look upon thee more, Never have relish in the faery power Of unreflecting love;—then on the shore Of the wide world I stand alone, and think, Till Love and Fame to nothingness do sink. You can find more readings of Keats' poetry at: http://classicpoetryaloud.wordpress.com/category/John-Keats/

J Donne read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to the poetry of the past. --------------------------------------------- Death by John Donne Death be not proud, though some have called thee Mighty and dreadfull, for, thou art not so, For, those, whom thou think'st, thou dost overthrow, Die not, poore death, nor yet canst thou kill me. From rest and sleepe, which but thy pictures bee, Much pleasure, then from thee, much more must flow, And soonest our best men with thee doe goe, Rest of their bones, and soules deliverie. Thou art slave to Fate, Chance, kings, and desperate men, And dost with poyson, warre, and sicknesse dwell, And poppie, or charmes can make us sleepe as well, And better then thy stroake; why swell'st thou then; One short sleepe past, wee wake eternally, And death shall be no more; death, thou shalt die. First aired: 25 July 2008 For hundreds more poetry readings, visit the Classic Poetry Aloud

Clare read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- Written in Northampton County Asylum by John Clare I am! yet what I am who cares, or knows? My friends forsake me like a memory lost. I am the self-consumer of my woes; They rise and vanish, an oblivious host, Shadows of life, whose very soul is lost. And yet I am—I live—though I am toss'd Into the nothingness of scorn and noise, Into the living sea of waking dream, Where there is neither sense of life, nor joys, But the huge shipwreck of my own esteem And all that 's dear. Even those I loved the best Are strange—nay, they are stranger than the rest. I long for scenes where man has never trod— For scenes where woman never smiled or wept— There to abide with my Creator, God, 15 And sleep as I in childhood sweetly slept, Full of high thoughts, unborn. So let me lie,— The grass below; a

Coleridge read by Classic Poetry Aloud: http://www.classicpoetryaloud.com/ Giving voice to classic poetry. --------------------------------------------------- Kubla Khan by Samuel Taylor Coleridge IN Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round: And there were gardens bright with sinuous rills Where blossom'd many an incense-bearing tree; And here were forests ancient as the hills, Enfolding sunny spots of greenery. But O, that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover! And from this chasm, with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain m

Kipling read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- The Way Through The Woods by Rudyard Kipling They shut the road through the woods Seventy years ago. Weather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath, And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods. Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate. (They fear not men in the woods, Because they see so few) You will hear the beat of a horse's feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods. . . . But there is no road th

Marvell read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- To His Coy Mistress by Andrew Marvell Had we but world enough, and time, This coyness, Lady, were no crime We would sit down and think which way To walk and pass our long love's day. Thou by the Indian Ganges' side Shouldst rubies find: I by the tide Of Humber would complain. I would Love you ten years before the Flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires, and more slow; An hundred years should go to praise Thine eyes and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, Lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time's wingèd cha

Keats read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- Ode on a Grecian Urn by John Keats Thou still unravish'd bride of quietness, Thou foster-child of Silence and slow Time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though

Poem read by Classic Poetry Aloud: http://classicpoetryaloud.podomatic.com/ Giving voice to classic poetry. --------------------------------------------------- Idea LXI by Michael Drayton Since there's no help, come let us kiss and part. Nay, I have done, you get no more of me; And I am glad, yea glad with all my heart, That thus so cleanly I myself can free. Shake hands for ever, cancel all our vows, And when we meet at any time again, Be it not seen in either of our brows That we one jot of former love retain. Now at the last gasp of Love's latest breath, When, his pulse failing, Passion speechless lies; When Faith is kneeling by his bed of death, And Innocence is closing up his eyes-- Now, if thou wouldst, when all have given him over, From death to life thou might'st him yet recover!