On The Page

From his critically acclaimed screenplay Palm Springs to his upcoming series The Resort, writer Andy Siara likes to explore the “disappointment of time.” 

William Indick, author of “Psychology for Screenwriters,” discusses why screenwriters must understand human behavior to make their stories come alive.

Author Jess King talks about their new game-changing screenwriting book, Inclusive Screenwriting for Film and Television, which examines and challenges conventional notions of characterization, world building and three act structure.

Keith Giglio and Juliet Aires Giglio share the knowledge of screenwriting and Christmas movies that inspired their new book, “The Summer of Christmas."

Pilar’s oldest chid Ezra Dodson walks us through the structure and character rules of Dungeons and Dragons, emphasizing the ways in which it can work as a writing and brainstorming tool for non-D&D storytelling.

After years of assisting and learning on the job, Naomi Brodkin is a working writer with an episode of Little America coming out soon. She discusses what she’s learned from being on set and in the writers’ room and how her hard work led to the good luck of being involved in the Academy Award winning movie Coda.

Writer Jared Pascoe shares the personal experiences and desire for story that led to his co-founding the Pre-Rainbow Pages aimed at bringing visibility to non-writers guild LGBTQIA+ writers.

Phil Rosenthal, the creator of Everybody Loves Raymond, Somebody Feed Phil and the new podcast Naked Lunch, talks about the ways that specificity contributes to great storytelling.

Writer Gigi Rios New discusses writing for The Garcias on HBO Max and for the need for Latin-driven content in TV and film.

Writer / director Chris Derrick discusses writing for Star Trek: Picard and how it’s taught him to write to the emotional arc first and bring the cool stuff in later.

What takes eight years, sixty-seven writers, thirty-six directors and one actual apocalypse? Hear how filmmaker Chris Jones produced the crowd-created feature film, The Impact, connecting 50 short films into one narrative.

Actor, writer Beverly Mickins, creator of Los Angeles’s longest running storytelling venue Story Salon, talks about the elements that make up a well told, personal story.

Screenwriter Agnieszka Kruk talks about the ways that her creative community in Poland is helping filmmakers in Ukraine affected by the war, and suggests ways that writers worldwide can support their cause.

After earning a spot in the prestigious CBS Mentoring Program, Writer Yakira Chambers learned how to create a “personal A story” that contributed to her getting a job as a writer on NCIS Hawaii. She discusses her successful first year, writing three episodes and getting the opportunity to work with LeVar Burton.

On "Sibling Day” Pilar sits down with her brother Chris Pittas to discuss his decision to pursue screenwriting, his success in competitions, recent representation with Citizen Skull Management … and what he’s learned along the way. 

Veteran comic book editor Shelly Bond discusses the similarities and differences between comic book writing and screenwriting.

Television director and feature writer Pete Chatmon dives into his extensive experience and unique perspective on storytelling and directing, while giving a sneak peak of his new book,"Transitions: A Director's Journey and Motivational Handbook."  

Manager Matt Dy talks about the way he discovers and develops material for the management/production company Lit Entertainment.  

Pilar and her friends Brian Pope, Mike Musa and Alex Troxler get together for their annual discussion about the best screenplay and best adapted screenplay Oscar nominees.

York Walker, staff writer on FBI, talks about his personal path from actor to playwright to television writer.